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"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides

Calligrapher:
'Abdullah ibn al-Fadl
Object Name:
Folio from an illustrated manuscript
Date:
dated A.H. 621/ A.D. 1224
Geography:
Iraq, Baghdad
Culture:
Islamic
Medium:
Ink, opaque watercolor, and gold on paper
Dimensions:
H. 12 3/8 in. (31.4 cm) W. 9 in. (22.9 cm)
Classification:
Codices
Credit Line:
Bequest of Cora Timken Burnett, 1956
Accession Number:
57.51.21
Not on view
One of the most influential medical treatises handed down to Muslims was De Materia Medica, by a first-century b.c. Greek physician in Cilicia (southern Anatolia). The left page concerns making medicine from honey and water, prescribed to cure weakness and loss of appetite. A doctor holds a gold cup while stirring the boiling honey and water in a cauldron as he prepares to scoop it up for the seated patient. The architectural setting suggests that the drugs are being produced in a pharmacy like those attached to hospitals in the Seljuq lands. In the illustration on the right, a doctor and his assistant or patient stand on either side of a sieve through which grapes are pressed and then combined with brine and an onion-like herb to produce a medicine to cure digestive disorders.
Inscription: In Arabic language and in Naskhī script:
لا یشتهي الطعام او من کانت قوته تحلل و صفته علی هذه الصفة/ (و من ماء العیون جزء) یؤخذ من العسل جزء فیخلطونه بالعسل و یطبخونه علی الصفة الی ان یذهب/ الثلثین ثم یرفعونه هـ هـ هـ و قد یتخذ شراب/ یقال له ابو مالي علی هذه الصفة یؤخذ من شمع الشهد فیغسل/ بالماء و یؤخذ ذلک الماء و یرفع و ینبغي اذا شرب هذا الشراب ان/ یصرف و من الناس من یطبخه و هو غیر موافق للمرض لکثرة ما فیه من وسخ الشمع
… [who] has no appetite or is feeling weak, its description is as follows: take one part honey (in the margin is added and take one part tears [lit. water of eyes]); mix with honey and cook in a pot until two thirds of it is gone; then take it from the pot.
And to make wine called Abū Ma'ālī with this recipe: take beeswax and wash it with water; and that water took out and if this wine drink it must … and some of people cooked it but it is not good for disease because it is a lot of dirty of wax.


A.Ghouchani
F. R. Martin, Stockholm (by 1910–at least 1912); V. Everit Macy, New York (by 1922–at least 1927); Cora Timken Burnett, Alpine, NJ (until d. 1956; bequeathed to MMA)
Martin, F. R. The Miniature Painting and Painters of Persia, India and Turkey from the 8th to the 18th century. vol. 1. London: Bernard Quaritch, 1912. no. volume 2, p. 7, ill. pl. 5b.

Sarre, Friedrich Dr, and F. R. Martin. "Die Stoffe, die Waffen, Holz und Elfenbein." In Die Ausstellung von Meisterwerken Muhammedanischer Kunst in Munchen 1910. Munich: F. Bruckmann A.-G., 1912. no. 583, vol. 1, ill. pl. 5b.

Anet, Claude. "Exhibition of Persian Miniatures at the Musee des Arts Decoratifs, Paris." Burlington Magazine vol. 22 (1912). pp. 15-16, ill. pl. I, A (b/w).

Kühnel, Ernst. Miniaturmalerei im Islamischen Orient. Berlin, 1922. ill. pl. 5.

Gluck, Heinrich, and Ernst Diez. Die Kunst des Islam. Propylaen Kunstgeschichte, vol. 5. Berlin: Propylaen-Verlag, 1925. pp. 95, 502, ill. (b/w).

Dimand, Maurice S. "A loan of Near Eastern Miniature Paintings." Metropolitan Museum of Art Bulletin vol. 22 (1927). p. 127.

Dimand, Maurice S., ed. "Dated Specimens of Mohammedan Art in the Metropolitan Museum of Art." MMA Studies 1, pt.2 (1929). p. 208.

Ackerman, Phyllis. "The Iranian Institute, New York." In Guide to the Exhibition of Persian Art. 2nd. ed. New York: The Iranian Institute, 1940. no. case 72F, p. 189.

Stchoukine, Ivan. La Peinture Iranienne sous les derniers 'Abbasides et les Il-Khans. Bruges, 1936. no. II, Description of this manuscript.

Buchthal, Hugo, Otto Kurz, and Richard Ettinghausen. "Supplementary Notes to K. Holter's checklist of Islamic Ill. Mss. before 1350." Ars Islamica vol. 7 (1940). no. 27, pp. 151-152.

Buchthal, Hugo. "Journal of the Walters Art Gallery, vol V, 1942." Early Islamic Miniatures from Baghdad V (1942). no. 9, 10, 15, pp.19-39, 20, ill. fig. 12, 13, 17, Leaves from MS now in Top Kapu Saray, Istanbul, which has colophon giving name of copyist and date Rajab AH 621. No. 9, fig. 12 illustrates 56.20; no. 10, fig. 13 illustrates 57.51.21; no. 15, fig. 17 illustrates 13.152.6.

Dimand, Maurice S. "New Accessions of Islamic Art." Metropolitan Museum of Art Bulletin vol. 16 (April 1958). p. 229, ill. p. 229 (b/w).

"Austellung 27 Mai bis 5 Aug., 1962." In Kunstschatze aus Iran. 1962. no. 556, ill. pl. 82.

Kurz, Otto. "Folding chairs and Koran stands." In Islamic Art in The Metropolitan Museum of Art, edited by Richard Ettinghausen. New York: The Metropolitan Museum of Art, 1972. p. 302, ill. fig. 5.

Kirketerp-Moller, Hertha. Det Islamiske Bogmaleri. Copenhagen, 1974. p. 5, ill. fig. 6.

Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. pp. 34-35, ill. fig. 22 (color).

Canby, Sheila R., Deniz Beyazit, Martina Rugiadi, and A. C. S. Peacock. "The Great Age of the Seljuqs." In Court and Cosmos. New York: The Metropolitan Museum of Art, 2016. no. 107a, pp. 178-179, ill. p. 178 (color).

Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 55, pp. 6, 94, ill. p. 94 (color).

Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators." In Art of the Islamic World. New York: The Metropolitan Museum of Art, 2012. pp. 100-101, ill. pl. 18 (color).



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