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"Bahram Gur Hunting with Azada", Folio from a Shahnama (Book of Kings)

Author:
Abu'l Qasim Firdausi (935–1020)
Object Name:
Folio from an illustrated manuscript
Date:
1352
Geography:
Iran, Shiraz
Culture:
Islamic
Medium:
Ink, opaque watercolor, and gold on paper
Dimensions:
Painting: H. 3 3/16 in. (8.1 cm) W. 6 in. (15.2 cm) Page: H. 11 1/2 in. (29.2 cm) W. 8 5/16 in. (21.1 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)
Classification:
Codices
Credit Line:
Cora Timken Burnett Collection of Persian Miniatures and Other Persian Art Objects, Bequest of Cora Timken Burnett, 1956
Accession Number:
57.51.32
Not on view
The Shahnama manuscript from which this folio comes includes a page dated to the year 1352, making it the last known Injuid-period (1325–53) manuscript. The style of the painting in this manuscript is similar to that of an Injuid Shahnama dated 1341. This folio illustrates the hero Bahram Gur hunting with his companion and harp-player Azada. In the Shahnama version of this tale, Azada is trampled under the feet of Bahram Gur’s camel for her impudence, as depicted here.
Inscription: Location: Chapter heading at foot of page.
Translation: "Bahram Gur goes with Nu'man to Yazdegird."

Marking: See link panel.
Mrs. M.I. Stephens, London(in 1931); Cora Timken Burnett, Alpine, NJ (by 1940–d. 1956; bequeathed to MMA)
Wilson, Arnold T. "7th January to 28th February, 1931." In Catalogue of the International Exhibition of Persian Art. 3rd. ed. London: Royal Academy of Arts, 1931. no. 532A, p. 43 (#22).

Ackerman, Phyllis. "The Iranian Institute, New York." In Guide to the Exhibition of Persian Art. 2nd. ed. New York: The Iranian Institute, 1940. no. Gallery VII; case 76D, p. 194.

Swietochowski, Marie, Stefano Carboni, Tomoko Masuya, and Alexander H. Morton. "Persian Painting of the 1330s and 1340s." In Illustrated Poetry and Epic Images. New York: The Metropolitan Museum of Art, 1994. pp. 74-75, ill. fig. 20 (b/w).

Sims, Eleanor, B. Marshak, and Ernst J. Grube. "Persian Painting and its Sources." In Peerless Images. New Haven and London: Yale University Press, 2002. no. 227, p. 307, ill. (color).



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