The Shahnama manuscript from which this folio comes includes a page dated to the year 1352, making it the last known Injuid-period (1325–53) manuscript. The style of the painting in this manuscript is similar to that of an Injuid Shahnama dated 1341. This folio illustrates the hero Bahram Gur hunting with his companion and harp-player Azada. In the Shahnama version of this tale, Azada is trampled under the feet of Bahram Gur’s camel for her impudence, as depicted here.
Inscription: Location: Chapter heading at foot of page. Translation: "Bahram Gur goes with Nu'man to Yazdegird."
London. Burlington House. "International Exhibition of Persian Art," January 7, 1931–February 28, 1931, no. 532A.
The Iranian Institute. "Exhibition of Persian Art," 1940, Gal. VII, no 76D.
Wilson, Arnold T. "7th January to 28th February, 1931." In Catalogue of the International Exhibition of Persian Art. 3rd. ed. London: Royal Academy of Arts, 1931. no. 532A, p. 43 (#22).
Ackerman, Phyllis. "The Iranian Institute, New York." In Guide to the Exhibition of Persian Art. 2nd. ed. New York: The Iranian Institute, 1940. no. Gallery VII; case 76D, p. 194.
Swietochowski, Marie, Stefano Carboni, Tomoko Masuya, and Alexander H. Morton. Illustrated Poetry and Epic Images:Persian Painting of the 1330s and 1340s. New York: The Metropolitan Museum of Art, 1994. pp. 74-75, ill. fig. 20 (b/w).
Sims, Eleanor, B. Marshak, and Ernst J. Grube. "Persian Painting and its Sources." In Peerless Images. New Haven and London: Yale University Press, 2002. no. 227, p. 307, ill. (color).