Stonepaste; underglaze painted in blue, luster-painted on transparent glaze
H. 7 1/4 in. (18.4 cm)
Max. Diam. 5 1/4 in. (13.3 cm)
Henry G. Leberthon Collection, Gift of Mr. and Mrs. A. Wallace Chauncey, 1957
On view at The Met Fifth Avenue in Gallery 454
Nineteenth-century antiquarians’ fascination with The Thousand and One Nights and its 9th-century protagonist, Harun al‑Rashid, provoked interest in the Syrian city of Raqqa, where this Abbasid caliph once resided, and in the ceramics unearthed there. These prized objects date to the Ayyubid period, however, not Harun’s time. Recent study confirms that Raqqa was an important ceramics center, especially in the first part of the twelfth century, but other centers produced so‑called Raqqa ware as well.
Henry G. Leberthon, Hempstead, NY (by 1931–d. 1939; bequeathed to Mrs. Chauncey); Louise Ruxton Chauncey, New York (1939–57; gifted to MMA)
Dimand, Maurice S. "The Metropolitan Museum of Art, New York, May 12 to June 28, 1931." In Loan Exhibition of Ceramic Art of the Near East. New York, 1931. no. 160, p. 37, ill. pl. 160 (b/w).
Dimand, Maurice S. "New Accessions of Islamic Art." Metropolitan Museum of Art Bulletin vol. 16 (April 1958). pp. 228, 235, ill. p. 235 (b/w).
Lukens, Marie G. The Metropolitan Museum of Art Guide to the Collections: Islamic Art. vol. 9. New York: The Metropolitan Museum of Art, 1965. p. 12, ill. fig. 21.
Dimand, Maurice S., and Jean Mailey. Oriental Rugs in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1973. p. 16, ill. fig. 24 (b/w).
"Masterpieces from The Metropolitan Museum of Art New York." In The Arts of Islam. Berlin, 1981. no. 46, pp. 126-127, ill. p. 127 (b/w).
Jenkins-Madina, Marilyn. "Ceramics of Ayyubid Syria." In Raqqa Revisited. New York; New Haven: The Metropolitan Museum of Art, 2006. pp. 140, 173, ill. MMA25 (color).