Art/ Collection/ Art Object
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Bowl with Eagle

Maker:
Muslim Ibn al-Dahhan
Object Name:
Bowl
Date:
ca. 1000
Geography:
Attributed to Egypt
Culture:
Islamic
Medium:
Earthenware; luster-painted on opaque white glaze
Dimensions:
H. 2 7/8 in. (7.3 cm) Diam. 10 in. (25.4 cm)
Classification:
Ceramics
Credit Line:
Gift of Charles K. and Irma B. Wilkinson, 1963
Accession Number:
63.178.1
On view at The Met Fifth Avenue in Gallery 454
The signature of the artist Muslim appears beneath the eagle's right claw and underneath the foot of this remarkable bowl. Muslim is the only Egyptian potter of this period (ca. 1000) whose name is known. In representing this heraldic eagle, he used a motif that had been popular for a long time and was not limited to the iconography of Fatimid works.
The tenth and eleventh centuries under the Fatimid caliphate were times of prosperity in Egypt and the neighboring lands, when a burgeoning class of wealthy consumers emerged. The luster potteries recently established in Cairo by émigré specialists from Basra offered exactly the kind of luxury products this new elite demanded. In such an atmosphere, it is not surprising that makers’ marks are often found on Fatimid-period lusterware. One such instance is that of Muslim, a name that appears in two places on this bowl decorated with an eagle. More than forty known Fatimid-period ceramic objects or fragments and at least one luster-painted glass piece bear some version of this signature.

A more complete rendering of the name, Muslim ibn al-Dahhan (Muslim son of the painter), appears on one of these fragments in the Benaki Museum, Athens, along with the name of the patron, whose nisba suggests that he was associated with the court of Caliph al-Hakim (r. 996–1021). This inscription dates the ceramist’s production to the time of that reign. Because these works vary considerably in quality and style, it has been argued that the word Muslim must be a workshop trademark rather than the signature of an individual artist. However, elsewhere such variability is explained by the suggestion that Muslim was both a master ceramist and the head of a workshop that used his name on its ware.

This straight-sided, low-footed bowl is one of the few signed Muslim works that is complete. Its decoration provides a prime example of the vitality characteristic of Fatimid painting, which is quite distinct from the rigidity of late Abbasid lusterware. The monumental eagle, painted in a greenish-yellow luster against a white ground, occupies the entire interior of the bowl. Even though the artist has adopted an age-old, heraldic pose and embellished the creature improbably with strings of pearls and tiraz-like bands, his painterly execution breathes life into the eagle. A similar depiction of an eagle with spread wings may once have decorated the center of the previously mentioned Benaki fragment.

This bowl carries over features from the Basran phase of luster-painted ceramic production, including the interstitial "peacock eye" filler and the circle-and-dash motifs on the outer walls.

Ellen Kenney (author) in [Ekhtiar, Soucek, Canby, and Haidar 2011]
Signature: On the interior, below the eagle's claw: "Muslim".
On the exterior, on the base: "Muslim"

Inscription: Inscription in Arabic in kufic script on interior, below eagle’s claw, and on base:
مسلم
Muslim
Walter Hauser, New York (by 1938); Charles K. and Irma B. Wilkinson, Sharon, CT (by 1961–63; gifted to MMA)
New York. The Metropolitan Museum of Art. "The Glory of Byzantium," March 11–July 6, 1997, no. 272.

Paris. Musée du Louvre. "Louvre Long Term Loan," April 28, 2004–April 27, 2006, no catalogue.

Grube, Ernst J. "The Art of Islamic Pottery." Metropolitan Museum of Art Bulletin 23, no. 6 (February 1965). p. 214, ill., figs. 10-11 (b/w).

Lukens, Marie G. The Metropolitan Museum of Art Guide to the Collections: Islamic Art. vol. 9. New York: The Metropolitan Museum of Art, 1965. p. 7, fig. 8.

Jenkins-Madina, Marilyn. "Muslim: An Early Fatimid Ceramist." Metropolitan Museum of Art Bulletin, New Series, vol. 26 (May 1968). pp. 360, 367, ill. fig. 2 (b/w).

Ettinghausen, Richard. "Islamic Art." Metropolitan Museum of Art Bulletin vol. 33, no. 1 (Spring 1975). p. 9, ill. p. 9 (color).

Jenkins-Madina, Marilyn, Suzanne G. Valenstein, and Julia Meech-Pekarik. "The Metropolitan Museum of Art." In Oriental Ceramics: The World's Great Collections. vol. 12. Tokyo: The Metropolitan Museum of Art, 1977. pp. 270, 313, ill. pl. 82 (color), profile in b/w.

Jenkins-Madina, Marilyn. "Islamic Pottery: A Brief History." Metropolitan Museum of Art Bulletin, New Series, vol. 40, no. 4 (Spring 1983). no. 11, pp. 12-13, ill. pl. 11 (color).

Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. pp. 23, 25, ill. fig. 13 (color).

Soucek, Priscilla, ed. Content and Context of Visual Arts in the Islamic World : papers from a colloquium in memory of Richard Ettinghausen, Institute of Fine Arts, New York University. Monographs on the fine arts, vol. 44. University Park, PA: College Art Association of America, 1988. pp. 69, 79, ill. fig. 7 (b/w).

Hillenbrand, Robert. "Mamluk and Ilkhanid Bestiaries: Convention and Experiment." Ars Orientalis vol. 20 (1990). pp. 151, 168, ill. fig. 6 (b/w).

de Montebello, Philippe, and Kathleen Howard, ed. The Metropolitan Museum of Art Guide. 6th ed. New York: The Metropolitan Museum of Art, 1992. p. 314, ill. fig. 6 (color).

Evans, Helen, and William D. Wixom, ed. "Art and Culture of the Middle Byzantine Era A.D. 843–1261." In The Glory of Byzantium. New York: The Metropolitan Museum of Art, 1997. no. 272, p. 416, ill. (color).

Bloom, Jonathan M. "Islamic Art and Architecture in Fatimid North Africa and Egypt." In Arts of the City Victorious. New Haven and London: Yale University Press, 2007. p. 95, ill. fig. 62 (color).

Carboni, Stefano. "The Arts of the Fatimid Period at the Metropolitan Museum of Art." The Ismaili (2008). p. 7, ill. fig. 8 (color).

Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 93, pp. 137, 145-146, ill. p. 145 (color).

Ekhtiar, Maryam. "Shimmering Surfaces: Lustre Ceramics of the Islamic World." Arts of Asia vol. 42 (2012). p. 93, ill. fig. 6 (color).



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