Stonepaste; polychrome painted under transparent glaze
Diam. 9 1/4 in. (23.8 cm)
H. 2 7/8 in. (7.3 cm)
The Friends of the Department of Islamic Art Fund, 1971
On view at The Met Fifth Avenue in Gallery 454
The Mongol invasions of the mid-thirteenth century put an end to ceramic production at Raqqa. Damascus emerged as an important center in the fourteenth century, and its potteries began to adopt the contemporary styles of Iran. The palette, details, and design of this bowl recall the Ilkhanid "panel style" associated with so‑called Sultanabad ware.
[ Mousa Settareh Shenasi, until 1971; sold to MMA]