"Zal in the Simurgh's Nest", Folio from a Shahnama (Book of Kings)
Abu'l Qasim Firdausi (935–1020)
Folio from an illustrated manuscript
Iran, probably Isfahan
Ink, opaque watercolor, gold, and silver on paper
Page: 8 x 5 1/8 in. (20.3 x 13 cm)
Painting: 3 3/16 x 2 3/16 in. (8.1 x 5.6 cm)
Bequest of Monroe C. Gutman, 1974
Not on view
Left in the wilderness as a baby because his father Sam thought his white hair was an attribute of the devil, Zal was rescued by the Simurgh and taken to her nest on Mt. Elburz. Rumors eventually reached Sam, who came to reclaim his son and to thank the great bird. In spite of the damage to the lower right hand portion of this stepped composition, the painting is striking, with the youth crouched in his mountain home talking to his foster mother while his repentant father bows to the ground in homage and gratitude to the Simurgh. The hares in the composition emphasize the remoteness of the setting. Here, the Simurgh has not yet taken the pictorial form of the Chinese phoenix as it had by this time in the more prominent artistic centers.
Ph. Walter Schulz, Leipzig, Germany (by 1914); Professor O. Moll, Düsseldorf, Germany ; Monroe C. Gutman, New York (by 1929–d. 1974; bequeathed to MMA)
Swietochowski, Marie, Stefano Carboni, Tomoko Masuya, and Alexander H. Morton. "Persian Painting of the 1330s and 1340s." In Illustrated Poetry and Epic Images. New York: The Metropolitan Museum of Art, 1994. no. 8, pp. 82-83, ill. p. 83 (b/w).