Stonepaste; polychrome painted under transparent glaze
H. 2 11/16 in. (6.8 cm)
Diam. of rim: 13 3/4 in. (34.9 cm)
Gift of Philippe and Edith de Montebello, 1991
On view at The Met Fifth Avenue in Gallery 460
This dynamically decorated sixteenth-century dish in cobalt blue was produced at the famous kilns at Iznik, in western Anatolia. Stylized variations of lotus petals, ultimately of Chinese inspiration but geometrically patterned into a radiating sunburst of powerful Islamic design, bear witness to one of the most fruitful cultural exchanges in history: the mutual influences flourishing for centuries between the artists, especially potters, of eastern and western Asia. Chinese influences on Islamic art peaked in the thirteenth and fourteenth centuries, when nearly all Asia came under the sway of the Great Khans, the Mongol overlords ruling from Beijing. The Ilkhanids who governed the Near East from their capital at Tabriz, in modern northwestern Iran, imported precious Chinese wares, commanding local Muslim artists to study Chinese technique and design. The sixteenth-century potters of the Ottoman court though set at the westernmost limit of the Asian world, still pursued–and creatively renewed with great flair and pride–the traditions of the Tabriz school.
[ Charles Dikran Kelekian, New York, until 1975; sold to de Montebello]; Philippe and Edith de Montebello, New York (1975–91; gifted to MMA)
Walker, Daniel S., Marie Lukens Swietochowski, and Annemarie Schimmel. "Recent Acquisitions: A Selection, 1991-1992." Metropolitan Museum of Art Bulletin vol. 50 (Fall 1992). p. 16, ill. (b/w).