Scene from "Channel Buoys" (Miotsukushi), chapter 14 of the Tale of Genji
Nanbokuchō period (1336–92)
late 14th century
Handscroll; ink and color on paper
Image: 12 3/16 in. x 14 ft. 8 in. (31 x 447 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
The absence of an obvious place reference can sometimes make a story all the more poignant. Readers of the text accompanying this scene would have known that Sumiyoshi— renowned for the serene beauty of its pines and seacoast—is the setting for this splendid and colorful procession, whereby Genji (in an oxcart) undertakes a pilgrimage to a shrine to thank the god of Sumiyoshi for granting his prayers and allowing his safe return from exile at Suma. By chance or fate, his pilgrimage occurs on the same autumn day that the Akashi Lady, Genji's lover during the time he was away from the capital and the mother of his only child, chose to make her own pilgrimage. Unable to meet, they exchange poems, lending the scene an elegiac feel. The Akashi Lady's agitation and torment over their vastly different stations is heightened by the scenery, "with the tide flooding in and cranes calling ceaselessly from the shallows."
This handscroll is a rare medieval interpretation of Murasaki Shikibu's novel, part of a set now almost completely lost. One other section is in the Tenri Library in Kyoto.
Tokugawa , Japan ; Matsunaga Hō , Japan ; [ Harry G. C. Packard , Tokyo, until 1975; donated and sold to MMA].
Bloomington. Indiana University Art Museum. "Genji: The World of a Prince," July 14, 1982–August 29, 1982.
New York. The Metropolitan Museum of Art. "Courtly Romance in Japanese Art," May 12, 1989–July 12, 1989.
Tokyo National Museum. "Yamato-e: miyabi no keifu," October 13, 1993–November 23, 1993.
New York. The Metropolitan Museum of Art. "Seasonal Pleasures in Japanese Art, Part II," May 1, 1996–September 8, 1996.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human Figure in Japanese Art," 2007–2008.
New York. The Metropolitan Museum of Art. "Ukiyo-e Artists' Responses to Romantic Legends of Two Brothers: Narihira and Yukihira," March 27, 2008–June 8, 2008.
New York. The Metropolitan Museum of Art. "Five Thousand Years of Japanese Art: Treasures from the Packard Collection," December 17, 2009–June 10, 2010.
New York. The Metropolitan Museum of Art. "A Beautiful Country: Yamato-e in Japanese Art," November 20, 2010–June 5, 2011.