The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
Tachihara Suiken was the father of a close friend of Kazan's. The completed work is now lost, but several surviving sketches reveal that the artist rejected the concealment of physical defects in favor of a sympathetic realism. In this sketch, the only embellishments that refer to the subject's social status are his sword and the book tucked into his robe. His shriveled mouth and unshaven chin, adroitly captured by the Western technique of chiaroscuro—which Kazan had studied—enhance the impression of intense self-determination made by this eighty-one-year-old samurai.
Princeton University Art Museum. "Transformations in Japanese Painting," March 1, 1983–June 26, 1983.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human and Not-So-Human Figure in Japanese Art," 1996.
New York. The Metropolitan Museum of Art. "Tribute to a Dedicated Collector: Mary Griggs Burke," June 30, 2004–November 29, 2004.