Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)
Ink, opaque watercolor, silver, and gold on paper
H. 11 1/2 in. (29.2 cm)
W. 8in. (20.3cm)
Gift of Alexander Smith Cochran, 1913
On view at The Met Fifth Avenue in Gallery 455
By the end of the fifteenth century, manuscripts of Persian poetry typically were written in a script known as nasta'liq, an elegant, flowing form of calligraphy. This manuscript is somewhat unusual in its archaizing use of the more rectilinear naskh script. Nevertheless, the paintings of this manuscript are stylistically akin to those found in manuscripts produced in Shiraz during the reign of Sultan Khalil Aq Quyunlu (d. 1478), suggesting that it was copied under an earlier patron, but illustrated in the Aq Quyunlu period.
Inscription: Khamsa of Nizami , هفت پیکر Haft Paykar, story شکار کردن بهرام و داغ کردن گوران
(Nizami Ganjavi, Sab’a-yi hakim Nizami Ganjavi, Haft Paykar, ed.Hasan vahid Dastgirdi, Muassaa-ye Matbu’ati Ilmi publication, 2nd ed., 1363/1985, p.70-71.)
Marking: On fol. 115a, in upper left corner: seal impression of owner: "Salih, A.H. 1177 (A.D. 1763–64)"
Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
Mackenzie, Colin, and Irving Finkel, ed. Asian Games The Art of Contest. New York: Asia Society, 2004. no. 22:14, p. 295, ill. fig. 22:14, (fol. 40b, color).
Artist: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)Date: dated A.H. 931/A.D. 1524–25Medium: Ink, opaque watercolor, and gold on paperAccession: 22.214.171.124On view in:Gallery 455