Art/ Collection/ Collection/ Art Object
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Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami

Author:
Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)
Calligrapher:
Maulana Azhar (d. 1475/76)
Object Name:
Illustrated manuscript
Date:
ca. 1430
Geography:
present-day Afghanistan, Herat
Culture:
Islamic
Medium:
Ink, opaque watercolor, and gold on paper; lacquer binding
Dimensions:
11 x 7in. (27.9 x 17.8cm)
Classification:
Codices
Credit Line:
Gift of Alexander Smith Cochran, 1913
Accession Number:
13.228.13.1
Not on view
Signature: Text in Persian, in nasta'liq script copied by Maulana Azhar (d. A.H. 880/ A.D.1475-6).
Emperor Akbar, India (from 1580); his granson, Shah Jahan, India (in 1658); Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
Washington. Arthur M. Sackler Gallery, Smithsonian Institution. "Timur and the Princely Vision. Persian Art and Culture in the Fifteenth Century," April 14, 1989–July 6, 1989.

Los Angeles. Los Angeles County Museum of Art. "Timur and the Princely Vision. Persian Art and Culture in the Fifteenth Century," August 13, 1989–November 5, 1989.

The Metropolitan Museum of Art. "The Perfect Page: The Art of Embellishment in Islamic Book Design," May 17, 1991–August 18, 1991.

Valentiner, William Reinhold. "The Cochran Collection of Persian Manuscripts." Museum of Metropolitan Art Bulletin, old series, vol. 8 (1913). pp. 80-86.

Jackson, A. V. Williams, and A. Yohannan. "Presented to the Metropolitan Museum of Art, New York, by Alexander Smith Cochran." In A Catalogue of the Collection of Persian Manuscripts, Including also Some Turkish and Arabic. 1914. no. 10, p. 71.

Robinson, B. W. "Prince Baysonghor's Nizami." Ars Orientalis vol. 2 (1957). pp. 383-391.

Museum of Metropolitan Art Bulletin vol. 33, no. 1 (1975). p. 24, ill. (color).

Lentz, Thomas W., and Glenn D. Lowry. "Persian Art and Culture in the Fifteenth Century." In Timur and the Princely Vision. Los Angeles: Los Angeles County Museum of Art, 1989. no. 62, pp. 173, 175, 342, ill. p. 175 (color).



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