Stonepaste; painted and polychrome glazed (cuerda seca technique)
Panel with tabs: H. 41 in. (104.1 cm)
W. 74 in. (188 cm)
D. 2 1/2 in. (6.4 cm)
Wt. 400 lbs.
Each tile: H. 8 7/8 in. (22.5 cm)
W. 8 7/8 in. (22.5 cm)
Rogers Fund, 1903
On view at The Met Fifth Avenue in Gallery 462
At the center of this scene, a lady leans on a bolster pillow and languidly holds out a filled cup. Making somewhat immodest eye contact with the viewer, she displays burn marks, associated with mystics and lovers, on her lower arms. A male figure in European dress and hat, perhaps a merchant, kneels before her. The other figures offer refreshments and conversation.
From a palace pavilion built by Shah Abbas (1583–1627) on the garden avenue of the Chahar Bagh at Isfahan
[ Louis Chardon, New York, until 1903; sold to MMA]
Wilkinson, Charles K. Iranian Ceramics. New York: Asia House Gallery, 1963. no. 87, pp. 10, 138, ill. pl. 87.
Carboni, Stefano, and Tomoko Masuya. Persian Tiles. New York: The Metropolitan Museum of Art, 1993. p. 40.
Blair, Sheila S., and Jonathan M. Bloom. The Art and Architecture of Islam 1250-1800. Yale University Press Pelican History of art. New Haven, CT: Yale University Press, 1994. pp. 196-197, ill. pl. 248 (b/w).
Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 162, pp. 173, 235-236, ill. p. 236 (color).