One from a set of three hanging scrolls; ink and color on silk
44 1/2 x 15 1/2 in. (113 x 39.4 cm)
Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914
Not on view
Seasonal landscapes in a Chinese style evoking summer and winter flank an imaginary portrait of Shennong (Japanese: Shinnō), the legendary Chinese emperor and reputed inventor of agriculture and herbal medicine. The landscapes, markedly asymmetrical in keeping with the Chinese Southern Song (1127–1279) conventions, also follow the popular Japanese late medieval formula for landscapes: the summer scene features a tall waterfall with a gushing stream, while its companion is enveloped in the silence of winter snow, a solitary traveler and a single pennant denoting a wine shop as the sole signs of human presence.
The pair of landscapes (14.76.26, .28) were signed and dated by Tan’yū to his sixty-first year (1662), while the Shennong portrait (14.76.27), according to the signature, was brushed three years later, when the artist was sixty-four. Following the custom of having landscapes flank religious paintings to create a triptych, this set was brought together by a former owner. .
Inscription: Gionen 61 sai Tanyu Hoin hitsu (painted by Tanyu of Hoin rank at the age of 61 (1662)
Marking: Seal in shape of gourd "Moronobu"
New York. The Metropolitan Museum of Art. "Masterpieces from the Permanent Collection," July 2, 2005–November 29, 2005.
New York. The Metropolitan Museum of Art. "Flowing Streams: Scenes from Japanese Arts and Life," December 21, 2006–June 3, 2007.
New York. The Metropolitan Museum of Art. "Animals, Birds, Insects, and Marine Life in Japanese Art," June 26, 2008–November 30, 2008.
New York. The Metropolitan Museum of Art. "Landscapes in Japanese Art," June 24, 2010–November 7, 2010.
New York. The Metropolitan Museum of Art. "Celebrating the Arts of Japan: The Mary Griggs Burke Collection," October 20, 2015–January 22, 2017.