Art/ Collection/ Art Object

Madonna and Child Enthroned with Saint John the Evangelist, Saint Peter, Saint Agnes, Saint Catherine of Alexandria, Saint Lucy, an Unidentified Female Saint, Saint Paul, and Saint John the Baptist, with Eve and the Serpent; the Annunciation

Paolo di Giovanni Fei (Italian, San Quirico, active by 1369–died 1411)
ca. 1385–90
Tempera on wood, gold ground
Overall, with engaged frame, 34 1/4 x 23 1/4 in. (87 x 59.1 cm); painted surface 27 7/8 x 17 1/4 in. (70.8 x 43.8 cm)
Credit Line:
Robert Lehman Collection, 1975
Accession Number:
Not on view
Inscription: Inscribed (on scroll): EVA
Chigi-Saracini collection, Siena; Luigi Grassi, Florence; Mr. and Mrs. A. E. Goodhart, New York, by 1924. Bequeathed by Mrs Goodhart to Robert Lehman in 1952.
Raimond van Marle. The Development of the Italian Schools of Painting. Vol. 2, The Hague, 1924, p. 53.

W. R. Valentiner. A Catalogue of Early Italian Paintings Exhibited at the Duveen Galleries New York: April to May, 1924. New York, 1926, no. 28.

Lionello Venturi. Pitture italiane in America. Milan, 1931, Pl. 86.

Bernhard Berenson. Italian Pictures of the Renaissance. Oxford, 1932, p. 183.

Bernard Berenson. Pitture italiane del Rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Valori plastici, Milan, 1936, p. 159.

Charles Sterling, ed. Exposition de la collection Lehman de New York. Exh. cat., Musée de l'Orangerie. Paris, 1957, p. 14, no. 18.

Michel Laclotte. "A propos des primitifs italiens de la collection Lehman." L’information d’histoire de l’art, 2 (1957), p. 14 n. 18.

The Lehman Collection. Exh. cat., Cincinnati, 1959, no. 18.

Gertrude Coor. "Neither a Rose nor an Apple but a Fig." The Burlington Magazine, 104 (1962), p. 305.

Michael Mallory. "Toward a Chronology for Paolo di Giovanni Fei." Art Bulletin, 46 (December 1964), p. 536.

Bernard Berenson. Italian Pictures of the Renaissance: Central Italian and North Italian Schools. Vol. 1, London, 1968, p. 129.

George Szabó. The Robert Lehman Collection: A Guide. New York, 1975, p. 16, Pl. 13.

Michael Mallory. The Sienese Painter Paolo di Giovanni Fei (c. 1345–1411). PhD diss., Columbia University. New York, 1976, pp. 110-112.

Anna Maria Guiducci. L'art gothique siennois. Exh. cat., Avignon, 1983, p. 278.

George Szabo. Masterpieces of Italian Drawing in the Robert Lehman Collection. New York, 1983, p. 9, Fig. 5.

John Pope-Hennessy assisted by Laurence B. Kanter in The Robert Lehman Collection. Vol. 1, Italian Paintings. New York, 1987, pp. 38-39, no. 2.

Timothy J. Newbery and Laurence B. Kanter in Italian Renaissance Frames. Exh. cat., The Metropolitan Museum of Art. New York, 1990, p. 34, cat. no. 9.

Katharine Baetjer. European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue. New York, 1995, p. 47.

Beth Williamson. "The Virgin Lactans as Second Eve: Image of the Salvatrix." Studies in Iconography (1998), pp. 113-115, no. 3.

Caroline R. Drabik. Pre-Renaissance Italian Frames With Glass Decorations in American Collections. New York, 2001, pp. 61-63.

Meryle Secrest. Duveen: A Life in Art. New York, 2004, p. 469.

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