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Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini

Artist:
Attributed to the Maestro delle Storie del Pane (Italian (Emilian), active late 15th century)
Date:
1494?
Medium:
Tempera on wood
Dimensions:
Overall 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm); painted surface 19 1/8 x 14 1/8 in. (48.6 x 35.9 cm)
Classification:
Paintings
Credit Line:
Robert Lehman Collection, 1975
Accession Number:
1975.1.96
On view at The Met Fifth Avenue in Gallery 959
This portrait and its pendant (1975.1.96) represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the portraits: VT SIT NOSTRA FORMA SVPERSTES (In order that our features may survive). Probably made to celebrate a betrothal or marriage, the portraits contain numerous allusions to love and matrimony, such as the spray of flowers, known as pinks, held by the male sitter, and the fruit (perhaps a quince) held by his wife. The pelican and phoenix at lower left of the male portrait refer respectively to charity and resurrection - Christian virtues here associated with the sacrament of marriage. In the lower right corner of the female portrait are two rabbits and a girl confronting a unicorn, the former connoting fecundity and the latter chastity.
Inscription: Inscribed (upper left, on building): . . . FORMA·SVPERSTES ( . . . features may survive)
Contessa Gozzadini, Bologna; Stefano Bardini, Florence; Bardini sale, Christie's, London, May 26-30, 1902, lot 600 (bt. Anderson); [Galerie Trotti, Paris, 1909]; Acquired by Philip Lehman from Trotti in October 1911.
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