Wool, and silk in slit tapestry weave with some non-horizontal or eccentric wefts.
108 7/16 x 98 1/16 in. (275.5 x 249.1 cm)
Robert Lehman Collection, 1975
Not on view
Tapestries with lush floral backgrounds -- known as millefleurs (from the French, meaning "a thousand flowers") -- were popular from about 1400 to 1550 and were produced throughout the Southern Netherlands. Typical of such works, The Falcon Hunt depicts a scene of courtly life—a young nobleman leading a lady and attendant on a hunt. The three figures seem to "float" in space, as the artist paid little attention to creating an illusion of depth. The tapestry has been trimmed on all four sides, and the tops of the rose bushes on the lower left edge indicate that it must have been a great deal larger than it is today. A strip of fabric from a contemporary tapestry was added along the top at some point in the object’s history.
[G.-J. Demotte, Paris]; André Lejard, France.
Christa C. Mayer-Thurman. "European Textiles." Robert Lehman Collection. XIV, New York, 2001.
Artist: Designed by Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42 Brussels)Date: ca. 1524–46 (design), ca. 1525–28 (woven)Medium: Wool, silk, silver-gilt thread.Accession: 1975.1.1915On view in:Not on view
Artist: Circle of Rogier van der Weyden, possibly Vranke van der Stockt (Netherlandish, ca. 1420–1495)Date: 1444–50Medium: Pen and brown ink over traces of black chalk.Accession: 1975.1.848On view in:Not on view