Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron armature are in the lion’s legs and the figure of Samson.
H. 34.1 cm, w. 14 cm, l. 38 cm, wt. 5332 g.
Robert Lehman Collection, 1975
On view at The Met Fifth Avenue in Gallery 953
The bearded Samson is perched on the lion's back with his knee bent as he grasps the lion's jaws in his hands. He wears a tight, fitted jacket and hose with pointed shoes, the same fashionable costume of the fourteenth century seen on Aristotle in another aquamanile in the Museum's collection. The large lion does not convey the struggle with Samson by the position of its torso or legs, but the beast rotates its head nearly 180 degrees to confront his opponent. Like Samson's hair and beard, the lion's tufted mane is vigorously engraved. Somewhat later than the examples we have seen from the north German groups, this aquamanile is more difficult to localize with any precision.
Count Sergei Alexandrovich Stroganoff, Saint Petersburg; J. Pierpont Morgan, New York, 1912 – 13; [Duveen Brothers, New York]. Acquired by Philip Lehman
through Duveen, along with No. 1 (1975.1.1410) and No. 6
(1975.1.1415), in February 1925.
Date: ca. 1350Medium: Bronze; Quaternary copper alloy with a high content of zinc (approx. 73% copper, approx. 15% zinc, approx. 7% lead, approx. 3% tin) with natural patina, hollow cast; remnants of the clay core
and iron armature in the legsAccession: 1975.1.1409On view in:Gallery 953
Date: ca. 1425–50Medium: Bronze; Ternary copper alloy with a very high content of zinc (approx. 74%
copper, approx. 22% zinc, approx. 2% lead) with natural patina, hollow cast.Accession: 1975.1.1413On view in:Gallery 953