Art/ Collection/ Art Object

Jeweled Bracelet

Made in probably Constantinople
Gold, silver, pearl, amethyst, sapphire, glass, quartz, emerald plasma
Overall: 1 7/16 x 3 1/4 in. (3.7 x 8.2 cm) strap: 15/16 x 7 7/8 in. (2.4 x 20 cm) bezel: 1 5/16 in. (3.4 cm)
Credit Line:
Gift of J. Pierpont Morgan, 1917
Accession Number:
On view at The Met Fifth Avenue in Gallery 302
These elaborately decorated bracelets have richly jeweled exteriors and finely detailed opus interrasile patterns on their interiors. The luminous beauty of pearls was highly prized in the Byzantine world.
Found near Assiut, Egypt (?); [ Maurice Nahman, Cairo (sold 1912)]; J. Pierpont Morgan, London and New York (1912–1913)
London. Royal Academy of Arts. "Byzantium, 330-1453," October 25, 2008–March 22, 2009.

Dennison, Walter. A Gold Treasure of the Late Roman Period from Egypt. Studies in East Christian and Roman Art, Vol. 2. London and New York: University of Michigan Studies-Humanistic Series, 1918. no. 28, 29, pp. 157–61, fig. XLIX.

Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. p. 40.

Tyler, Royall, and Hayford Peirce. L'art Byzantin. Vol. 2. Paris: Librarie de France, 1934. no. 200, pp. 135–36, fig. 200a-b.

Rorimer, James J. Medieval Jewelry: A Picture Book. New York: The Metropolitan Museum of Art, 1944. fig. 1.

Wagner de Kertesz, Margarita. Historia Universal de las Joyas. Buenos Aires: Ediciones Centurion, 1947. p. 266.

Schlunk, Helmut. "The Crosses of Oviedo : A Contribution to the History of Jewelry in Northern Spain in the Ninth and Tenth Centuries." The Art Bulletin 32 (June 1950). p. 98 n. 48.

Grabar, André, and Vanoest. "Les Bracelets de Lux Romains et Byzantins du II au VI Siècle. Étude de la Forme et de la Structure." Cahiers Archéologiques 21 (1971). pp. 1-23, fig. 33.

Weitzmann, Kurt. "The Late Roman World." The Metropolitan Museum of Art Bulletin, n.s., 35, no. 2 (Autumn 1977). no. 52, p. 57, fig. 52.

Brown, Katharine R. "The Mosaics of San Vitale: Evidence for the Attribution of Some Early Byzantine Jewelry to Court Workshops." Gesta 18, no. 1 (1979). p. 58, fig. 5.

Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979. no. 300, pp. 323-324.

Brown, Katharine R. Migration Art, A.D. 300-800. New York: The Metropolitan Museum of Art, 1995. pp. 16, 49-51, fig. 12.

Brown, Katharine R., Dafydd Kidd, and Charles T. Little, ed. From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2000. pp. 71, 341, fig. 7.15.

Evans, Helen C., Melanie Holcomb, and Robert Hallman. "The Arts of Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 58, no. 4 (Spring 2001). p. 19.

Cormack, Robin, and Maria Vassilaki, ed. Byzantium 330–1453. London: Royal Academy of Arts, 2008. no. 142, pp. 182, 414, ill. p. 182.

Yeroulanou, Aimilia. "Common Elements in 'Treasures' of the Early Christian Period.." In Byzanz – das Römerreich im Mittelalter: Volume 1, Welt der Ideen, Welt der Dinge, edited by Falko Daim, and Jörg Drauschke. Mainz: Römisch-Germanisches Zentralmuseum, 2010. pp. 352-353, fig. 22.

Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. p. 126, fig. 54.

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