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Gold Goblet with Personifications of Cyprus, Rome, Constantinople, and Alexandria

Date:
700s
Culture:
Avar or Byzantine
Medium:
Gold
Dimensions:
6 5/8 × 4 13/16 × 5 1/16 in., 13.536 Troy Ounces (16.8 × 12.2 × 12.9 cm, 421g)
Classification:
Metalwork-Gold
Credit Line:
Gift of J. Pierpont Morgan, 1917
Accession Number:
17.190.1710
On view at The Met Fifth Avenue in Gallery 301
This goblet is decorated with female personifications of four major ecclesiastical centers in the Byzantine world. The awkwardly written identifications suggest that this goblet was an Avar attempt to imitate a Byzantine chalice.

The Avars
The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s.

All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations.
— Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s

The Vrap Treasure
Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Inscription: Inscription engraved around rim in Greek
Found in Vrap, eastern Albania; J. Pierpont Morgan, London and New York (until 1917)
Strzygowski, Josef. Altai-Iran und Völkerwanderung: ziergeschichtliche Untersuchungen über die Eintritt der Wander- und Nordvölker in die Treibhäuser geistigen Lebens, anknüpfend an einen Schatzfund in Albanien. Leipzig: J. C. Hinrichs, 1917. no. 2, pp. 3-10, fig. II, 2-5.

Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 1st ed. New York: The Metropolitan Museum of Art, 1925. p. 36, fig. 16.

Rosenberg, Marc. Der Goldschmiede Merkzeichen. Vol. IV. Frankfurt: Frankfurter Verlags Anstalt, 1928. no. 4983, p. 5.

Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. pp. 35-36, fig. 16.

Rorimer, James J., and William Holmes Forsyth. "The Medieval Galleries." The Metropolitan Museum of Art Bulletin, n.s., 12, no. 6 (February 1954). p. 125.

The Metropolitan Museum of Art. Guide to the Collections: Medieval Art. New York: The Metropolitan Museum of Art, 1962. fig. 8.

Byzantine Art, a[n] European Art. Catalogue of the Ninth Exhibition of the Council of Europe. Athens: Zappeion Exhibition Hall, 1964. p. 362.

The Metropolitan Museum of Art. "Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 26, no. 5 (January 1968). no. 12, p. 203.

Ostoia, Vera K. The Middle Ages: Treasures from the Cloisters and the Metropolitan Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1969. no. 23, pp. 56-7, 254.

Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1972. no. 17, p. 213.

Shelton, Kathleen J. "Imperial Tyches." Gesta 18, no. 1 (1979). pp. 27-28, fig. 1, 2.

Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979. no. 156, p. 178.

Husband, Timothy B., and Charles T. Little. Europe in the Middle Ages. New York: The Metropolitan Museum of Art, 1987. no. 27, pp. 36-37.

Werner, Joachim. Der Schatzfund von Vrap in Albanien. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 1989. pp. 74-76, fig. 3-5.

Mango, Marlia Mundell. "Silver Plate Among the Romans and Among the Barbarians." In La Noblesse romaine et les chefs barbares du IIIe au VIIe siècle. Rouen: Musée des Antiquités Nationales, 1995. pp. 79-81, fig. 5C.

Cutler, Anthony. "'Roma' and 'Constantinopolis' in Vienna." In Late Antique and Byzantine Ivory Carving. Variorum Collected Studies Series. Aldershot: Ashgate, 1998. pp. 61-62, fig. 14.

Brown, Katharine R., Dafydd Kidd, and Charles T. Little, ed. From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2000. p. 343, fig. 18.

Minaeva, Oksana. "On Some Peculiarities of the Shape and Decoration of the Vessels form the Vrap Treasure, Albania." Problemi na izkustvoto 1 (2000-2001). no. 5, p. 19, fig. 25.

Evans, Helen C., Melanie Holcomb, and Robert Hallman. "The Arts of Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 58, no. 4 (Spring 2001). pp. 32-33.

Piguet-Panayotova, Dora. "The Gold and Silver Vessels from the Albanian Treasure in a New Light." Mitteilungen zur spätantiken Archäologie und byzantinischen Kunstgeschichte 3 (2002). pp. 44, 49, fig. 10-14.

Holcomb, Melanie. "Ugly... but Important: The Albanian Hoard and the Making of the Archaeological Treasure in the Early Twentieth Century." Early Medieval Europe 16, no. 1 (February 2008). pp. 4, 9, fig. 1, 4.

Frings, Jutta, ed. Byzanz: Pracht und Alltag. Bonn: Kunst-und Austellungshalle der Bundesrepublik Deutschland, 2010. no. 69, p. 176.



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