Étienne Bobillet (Franco-Netherlandish, active Bourges, 1453)
Paul Mosselman (Franco-Netherlandish, active Bourges, 1453)
Overall: 15 3/16 x 5 5/16 x 3 7/8 in. (38.6 x 13.5 x 9.8 cm)
Gift of J. Pierpont Morgan, 1917
On view at The Met Fifth Avenue in Gallery 305
The tomb at Bourges of Jean, duc de Berry (1340-1416), was begun by Jean de Cambrai and completed by Étienne Bobillet and Paul de Mosselman. For the duke's tomb, his life-size portrait-effigy was placed on top of a sarcophagus, with figures of mourners rendered in high relief along its sides. The idea of surrounding the tomb with such figures most likely derived from an early-thirteenth-century custom of attaching tokens of sorrowful remembrance of the deceased to his sarcophagus. Here the figures may represent specific members of the duke's family. The faces of the mourners are hidden by deep hoods, and their bodies are engulfed by the voluminous cloaks so typical of Burgundian sculpture. The duke's tomb was vandalized during the French Revolution, and the mourner figures were destroyed or dispersed. Of the original forty statuettes, only twenty-five survive, including this impressive example.
One of two mourner figures in the collection. See also 17.190.389.
From the tomb of Jean, duc de Berry (1340-1416), choir of Sainte-Chapelle, Bourges, France (until 1757); vicomte de Fussy ; Georges Hoentschel (French, Paris 1855–1915 Paris); J. Pierpont Morgan, London and New York (until 1917)
Vitry, Paul. "Les collections Pierpont Morgan." Gazette des Beaux-Arts 11, no. 683 (1914). p. 435.
Les pleurants dans l'art du Moyen âge en Europe. Dijon: Musée des Beaux-Arts de Dijon, 1971. no. 12–13, p. 36, pl. XXXII.
Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1972. no. 49, p. 221.
Husband, Timothy B., and Charles T. Little. Europe in the Middle Ages. New York: The Metropolitan Museum of Art, 1987. no. 132, pp. 144-145.
Cleveland Museum of Art and Musée des Beaux-Arts de Dijon. L'art à la cour de Bourgogne: le mécénat de Philippe le Hardi et de Jean sans Peur (1364-1419), edited by Stephen Fliegel, and Sophie Jugie. Paris: Éditions de la Réunion des Musées Nationaux, 2004. no. 95, pp. 255-256.
Cleveland Museum of Art and Musée des Beaux-Arts de Dijon. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364-1419, edited by Stephen Fliegel, and Sophie Jugie. Cleveland: Éditions de la Réunion des Musées Nationaux, 2004. no. 95, pp. 255-256.
Wixom, William D. "Late Medieval Sculpture in the Metropolitan: 1400 to 1530." The Metropolitan Museum of Art Bulletin, n.s., 64, no. 4 (Spring 2007). p. 20.
Husband, Timothy B. The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry. New York ; New Haven: The Metropolitan Museum of Art, 2008. p. 14, fig. 9.
Artist: Attributed to Claus de Werve (Netherlandish, active in France, ca. 1380–1439, active Burgundy, 1396–ca. 1439)Date: ca. 1415–17Medium: Limestone with paint and gildingAccession: 33.23On view in:Gallery 305