Gilded copper, gilded silver, rock crystal, verre églomisé
Overall: 22 x 9 3/8 x 7 15/16in. (55.9 x 23.8 x 20.2cm)
roundel: 3 3/8in. (8.6cm)
Gift of J. Pierpont Morgan, 1917
On view at The Met Fifth Avenue in Gallery 306
Reliquary of Mary Magdalene, 14th and 15th century Made in Tuscany, Italy Gilded copper, gilded silver, rock crystal, verre églomisé; Overall 22 x 9 3/8 x 7 15/16 in. (55.9 x 23.8 x 20.2 cm), roundel 3 3/8 in. (8.6 cm) Gift of J. Pierpont Morgan, 1917 (17.190.504)
While their choir books were richly colored, Franciscan communities frequently chose more somber verre églomisé, a reverse-glass painting technique, for reliquaries. Although the palette of the glass medallion that crowns the reliquary is limited, the overall effect of crystal and gilded metal is sumptuous. The relic, enclosed in rock crystal, is said to be Mary Magdalene's tooth.
J. C. Robinson, England; J. Pierpont Morgan, London and New York (until 1917)
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