Bowing to the left with downcast eyes and downturned mouths, the three men apparently witness a sad scene, perhaps the burial of a saint or the death of the Virgin. They may have been fixed to a large reliquary or an altar.
Aimé Desmottes, Lille and Paris (until 1900); his sale, Hôtel Drouot, Paris (March 19-23, 1900, no. 37); [ Brimo de Laroussilhe, Paris]; J. Pierpont Morgan, London and New York (until 1913); Estate of J. Pierpont Morgan(1913–1917)
Catalogue des objets d'art et de haute curiosité [...] collection de Feu M. Desmottes. Paris: Hôtel Drouot, March 19-23, 1900. no. 37, p. 13.
Taburet-Delahaye, Elisabeth, and Barbara Drake Boehm, ed. L'Oeuvre de Limoges: Emaux limousins du Moyen Age. Paris: Réunion des Musées Nationaux, 1995. no. 80, pp. 268-269.
Boehm, Barbara Drake, and Elisabeth Taburet-Delahaye, ed. Enamels of Limoges, 1100-1350. New York: The Metropolitan Museum of Art, 1996. no. 79, pp. 268–69.
Date: ca. 1180–90Medium: Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exteriorAccession: 17.190.514On view in:Gallery 304
Date: ca. 1185–1200Medium: Copper (plaque): chased, engraved, stippled, and gilt; (appliqué): repoussé, engraved, chased, scraped, stippled and gilt; champlevé enamel: medium and light blue, turquoise, green, yellow, red, and white; dark blue and turquoise glass beadsAccession: 17.190.779On view in:Gallery 304
Date: ca. 1220Medium: Copper (plaque): engraved, stippled, and gilt; (appliqué): repoussé, engraved, chased, scraped, stippled, and gilt; champlevé enamel: dark, medium, and light blue; dark translucent and light green, yellow, red and white; blue-black glass beadsAccession: 17.190.854On view in:Gallery 304