Overall: 2 5/16 x 3/16 in. (5.9 x 0.4 cm)
without loop: 2 3/16 x 1/16 in. (5.6 x 0.2 cm)
Rogers Fund, 1984
On view at The Met Fifth Avenue in Gallery 301
Pendants such as these with stamped designs were the most popular kind of jewelry from the 600s through the 900s. Often made from gold, they usually show animals or a mythological scene in the center of an elaborate border. A stylized human head and three open-jawed animal heads are represented here.
[ K. J. Hewett Ltd., London (1982)]; [ Ward & Company Works of Art, New York (sold 1984)]
The Metropolitan Museum of Art. "One Hundred Fifteenth Annual Report of the Trustees for the Fiscal Year July 1, 1984, through June 30, 1985." Annual Report of the Trustees of the Metropolitan Museum of Art 115 (1985). p. 44.
Brown, Katharine R. Migration Art, A.D. 300-800. New York: The Metropolitan Museum of Art, 1995. no. 65, p. 46.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 60, p. 48.
Brown, Katharine R., Dafydd Kidd, and Charles T. Little, ed. From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2000. pp. 311, 358-359, fig. 25.3, 25.4.