With sinuous, asymmetrical designs and swirling arrangements of commas, circles, and fan shapes, this varied group of objects conveys the pervasiveness of a Celtic aesthetic in the Empire's western provinces in the first centuries A.D.
[ W. Bastiaan Blok, Noordwijk, The Netherlands]; Alastair Bradley Martin, Katonah, NY (until 1991)
Brown, Katharine R. Migration Art, A.D. 300-800. New York: The Metropolitan Museum of Art, 1995. no. 13, pp. 20-21.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 18, p. 20.