Regally enthroned and crowned as Queen of Heaven, the Virgin Mary wears contemporary clothing of the noble classes. Her mantle simulates brocade with a fur lining and gilded patterned borders, and her belt is placed high on the bodice following the fashin of the time. The sculpture may have been displayed in a castle chapel, a parish church, or a hospital.
From the Church of Saint-Chéron, Eastern Champagne, Marine; Church of Saint-Chéron, Champagne, Marine(until 1883); Charles (?) Lemaire, Paris (sold 1938); [ Brummer Gallery, Paris and New York (1938–sold 1939)]
Forsyth, William H. Medieval Sculptures of the Virgin and Child: A Picture Book. New York: The Metropolitan Museum of Art, 1939. fig. 7.
Luce, Stephen Bleecker. "Archaeological News and Discussions." American Journal of Archaeology: The Journal of the Archaeological Institute of America 46, no. 2 (April-June 1942). p. 270.
Stubblebine, James H. "French Gothic Elements in Simone Martini's Maestà." Gesta 29, no. 1 (1990). p. 139, fig. 5.
Wixom, William D. "Medieval Sculpture at the Metropolitan: 800 to 1400." The Metropolitan Museum of Art Bulletin, n.s., 62, no. 4 (2005). p. 34.