Art/ Collection/ Art Object
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Holy Woman

Date:
ca. 1480
Culture:
South Netherlandish
Medium:
Walnut, polychromy and gilding
Dimensions:
Overall: 19 5/16 x 5 5/8 x 4 13/16 in. (49 x 14.3 x 12.3 cm)
Classification:
Sculpture-Wood
Credit Line:
Gift of George Blumenthal, 1941
Accession Number:
41.100.129a
On view at The Met Fifth Avenue in Gallery 305
Maurice Chabrières-Arlès, Lyon and Paris (1903–13); George and Florence Blumenthal, Paris and New York (until 1941)
Migeon, Gaston. "La Collection Chabrières-Arlès." Les Arts 23 (November 1903). p. 9.

Ricci, Seymour de, ed. Exposition d'objets d'art du moyen âge et de la renaissance, tirés des collections particulières de la France et de l'étranger, organisée par la marquise de Ganay à l'ancien Hôtel de Sagan (mai–juin 1913). Paris: E. Levy, 1914. pl. XXXII.

Collection Chabrières-Arlès. s.n., [1916]. [pl. 33].

Rubinstein-Bloch, Stella. Catalogue of the Collection of George and Florence Blumenthal, New York: Volume 2, Sculpture and Bronzes, Mediaeval and Renaissance. Paris: A. Lévy, 1926. pl. XVI (right).

The Metropolitan Museum of Art. Masterpieces in the Collection of George Blumenthal: A Special Exhibition. New York: The Metropolitan Museum of Art, 1943. fig. 7.

The Metropolitan Museum of Art. Masterpieces in the Collection of George Blumenthal: A Special Exhibition. New York: The Metropolitan Museum of Art, 1943. no. 7.

Forsyth, William H. A Brief Guide to the Mediaeval Collection. New York: The Metropolitan Museum of Art, 1947. p. 11.

Mayor, A. Hyatt. "The Gifts that Made the Museum." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 3 (November 1957). ill. p. 104.

The Metropolitan Museum of Art. Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of the Metropolitan Museum of Art. New York: H.N. Abrams, 1952. no. 43, pp. 53, 221.

The Metropolitan Museum of Art. Guide to the Collections: Medieval Art. New York: The Metropolitan Museum of Art, 1962. p. 41, fig. 58.

Müller, Theodor. Sculpture in the Netherlands, Germany, France and Spain. Baltimore: Penguin Books, 1966. pp. 139-40.

Didier, Robert, and Hartmut Krohm. Les Sculptures médiévales allemandes dans les collections belges. Brussels: Société Génèrale de Banque, 1977. p. 100, n.5.

Weniger, Matthias. "Vers une réévaluation des prémices de la production des retables anversois: L'atelier du Maître de Klausen." In Retables brabançons des XVe et XVIe siècles: Actes du colloque organisé par le musée du Louvre les 18 et 19 mai 2001. Louvre Conférences et Colloques. Paris: La Documentation Française, 2001. pp. 499-501., fig. 20, 21.

Guillot de Suduiraut, Sophie, and Juliette Levy. "Autour d'une Descente de croix acquise par le Musée du Louvre." In La sculpture en Occident: Études offertes à Jean-René Gaborit, edited by Genevieve Bresc-Bautier, Françoise Baron, and Pierre-Yves Le Pogam. Dijon: Éditions Faton, 2007. pp. 87-101, fig. 3, 10.

Geelen, Ingrid, and Delphine Steyaert. Imitation and Illusion: Applied Brocade in the Art of the Low Countries in the Fifteenth and Sixteenth Centuries. Scientia Artis 6. Brussels: Koninklijk Instituut voor het Kunstpatrimonium, 2011. p. 289.



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