Stained Glass Panel with the Flight into Egypt

German

On view at The Met Fifth Avenue in Gallery 306

In fifteenth-century Cologne, glass painting began to be increasingly influenced by developments in panel painting. The inclusion of a landscape exemplifies this new attitude in stained-glass design, in which figures are now placed in natural settings instead of against patterned backdrops. The source for these landscapes was not nature itself but the work of printmakers.

Stained Glass Panel with the Flight into Egypt, Pot metal, white glass, vitreous paint, silver stain, German

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