Joshua and David (from the Nine Heroes Tapestries)

Marking: Arms (on thirteen banners atop turrets, on bosses of vaulting above Joshua and David): azure, semé of fleurs-de-lis gold, within a border engrailed gules [Arms of Jean duc de Berry];
(on banner next to end turret at right of tapestry): bendy of six, azure and gold [Arms of Burgundy];
(on shield at right of figure): argent, a dragon vert [Arms of Joshua];
(on shield at right of figure): azure, a harp gold [Arms of David]

[ Joel Joseph Duveen, London] [32.130.3b] ; Maurice Chabrières-Arlès, Lyon and Paris (by 1877) [32.130.3b] ; [ Duveen Brothers, Paris and New York (from late 1915) [32.130.3b] ; Clarence Mackay, Roslyn, NY (1924–sold 1932) [32.130.3b] ; Joel Joseph Duveen, London [47.101.1] ; Baron Arthur Schickler 1828–1919, château Martinvast, Normandy (from about 1872) [47.101.1] ; Count and Countess Hubert de Pourtalès, château Martinvast, Normandy (sold by 1936) [47.101.1] ; [ Brummer Gallery, Paris and New York (by 1936–1947) ] [47.101.1] ; Clarence Mackay, Roslyn, NY [47.152] ; [ Raphael Stora and Co., New York, New York (?)] [47.152] ; George A. Douglass, Sr., New York (until 1947) [47.152]

Collection Chabrières-Arlès. s.n., [1916]. [pl. 56].

Rorimer, James J. "The Museum's Collection of Mediaeval Tapestries." The Metropolitan Museum of Art Bulletin, n.s., 6, no. 3 (November 1947). pp. 92-93, 98.

Rorimer, James J. Mediaeval Tapestries: A Picture Book. New York: The Metropolitan Museum of Art, 1947. p. 2.

Adam-Even, Paul. "La tapisserie aux Preux (Metropolitan Museum, New York)." Revue Française d'Héraldique et de Sigillographie 5, no. 12 (1949). pp. 74-76.

Comstock, Helen. "The Connoisseur in America: The Rediscovery of the Duke of Berry's 'Heroes'." The Connoisseur 124 (1949). pp. 114-116.

Rorimer, James J., and Margaret B. Freeman. "The Nine Heroes Tapestries at The Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 7, no. 9 (May 1949). pp. 243-260.

Rorimer, James J. The Cloisters: The Building and the Collection of Mediaeval Art in Fort Tryon Park, New York. 11th ed. New York: The Metropolitan Museum of Art, 1951. pp. 47-55, fig. 24.

The Metropolitan Museum of Art. Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of the Metropolitan Museum of Art. New York: H.N. Abrams, 1952. p. 222, fig. 55.

Rorimer, James J. The Nine Heroes Tapestries at The Cloisters. New York: The Metropolitan Museum of Art, 1953.

Freeman, Margaret. "A Book of Hours Made for the Duke of Berry." The Metropolitan Museum of Art Bulletin, n.s., 15, no. 4 (December 1956). pp. 101-102.

Weigert, Roger-Armand. La tapisserie française. Paris: Pierre Larousse, 1956. pp. 37-38.

Wyss, R.L. "Die neun Helden: Eine ikonographische Studie." Zeitschrift für Schweizerische Archäologie und Kunstgeschichte (1957). pp. 78-79, 86.

Heinz, Dora. "Gewirkte Monumentalmalerei - Zur Tapisseriekunst in Frankreich und Burgund um 1400." Alte und Moderne Kunst 56/57 (March/April 1962). p. 26.

Heinz, Dora. Europäische Wandteppiche: Ein Handbuch für Sammler und Liebhaber. Volume 1: Von den Anfängen der Bildwerkerei bis zum Ende des 16. Jahrhunderts. Bibliothek für Kunst- und Antiquitätenfreunde, Vol. 37. Brunswick: Klinkhardt & Biermann, 1963. pp. 53-54.

Rorimer, James J. The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park. 3rd revised ed. New York: The Metropolitan Museum of Art, 1963. pp. 76-83, fig. 34, 36.

Weigert, Roger-Armand. La tapisserie et le tapis en France. Paris: Presses universitaires de France, 1964. pp. 23-24.

Hoving, Thomas. "The Thread of Patronage: The Medieval Collections of The Metropolitan Museum of Art and The Cloisters." Apollo 82, no. 43 (September 1965). p. 185, fig. 8.

Verlet, Pierre. "Gothic Tapestry." In Great Tapestries: The Web of History from the 12th to the 20th Century, edited by Joseph Jobé. Lausanne: Edita, 1965. pp. 10, 20-21, 51.

Stoddard, Whitney S. Monastery and Cathedral in France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries. Middletown, CT: Wesleyan University Press, 1966. pp. 350, 355–56.

Troescher, Georg. Burgundische Malerei. Maler und Malwerke um 1400 in Burgund, dem Berry mit der Auvergne und in Savoyen mit ihren Quellen und Ausstrahlungen. Vol. 1. Berlin: Gebr. Mann, 1966. pp. 241-242, 289, illus vol II, figs. 412-415.

Viale Ferrero, Mercedes. "Tapestry and Carpets: I. Tapestry." In Encyclopedia of World Art. Vol. 13. New York: McGraw-Hill, 1967. cols. 913–14, pl. 392.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Late Fourteenth Century and the Patronage of the Duke. Volume 1, Text. London: Phaidon Press, 1967. pp. 58, 365 n. 103.

Jarry, Madeleine. World Tapestry: From Its Origins to the Present. New York: Putnam, 1969. pp. 34, 37, fig. pp. 40-42.

Ysselsteyn, G.T. van. Tapestry: The Most Expensive Industry of the XVth and XVIth Centuries; A Renewed Research into Technic, Origin and Iconography. The Hague: Cornelis Gysbert van Goor, 1969. pp. 38-40, 100.

Coffinet, Julien. Arachné ou L'art de la tapisserie. Paris: Bibliothèque des arts, 1971. p. 176.

de Vaivre, Jean-Bernard. "Les trois couronnes des hérauts." Archivum Heraldicum 86 (1972). no. 25, p. 34.

Stucky-Schürer, Monika. Die Passionsteppiche von San Marco in Venedig. Bern: Stämpfli Verlag, 1972. pp. 63-64, fig. 43.

Coffinet, Julien. Métamorphoses de la tapisserie. Paris: Bibliothèque des arts, 1977. p. 16.

Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 3. Cologne: Museen der Stadt Köln, 1978. pp. 120-123.

de Vaivre, Jean-Bernard. "L'Héraldique et l'histoire de l'art du Moyen Age." Gazette des Beaux-Arts, 6th ser., 93 (1979). pp. 102, 104.

Young, Bonnie. A Walk Through The Cloisters. New York: The Metropolitan Museum of Art, 1979. pp. 58-63.

Heslop, T. A. "The Episcopal Seals of Richard of Bury." In Medieval Art and Architecture at Durham Cathedral. British Archaeological Association Conference Transactions 1977. London: British Archaeological Association, 1980. p. 157.

Grand, Paule-Marie. La Tapisserie. Paris: Bibliothèque des Arts, 1981. p. 42.

Baron, Françoise, ed. Les fastes du Gothique: Le siècle de Charles V. Paris: Galeries Nationales du Grand Palais, 1981. p. 410.

de Vaivre, Jean-Bernard. "Notes d'héraldique et d'emblématique à propos de la tapisserie de l'Apocalypse d'Angers." In Comptes rendus de l'Académie des Inscriptions et Belles-Lettres. Vol. 127. 1983. no. 54, pp. 102-103, 113.

Herman, Kerry B. "Exemplum Virtutis: The Noble Heroes and Heroines of the Middle Ages." In Survival of the Gods: Classical Mythology in Medieval Art. Providence, R.I.: Brown University, 1987. p. 25.

Erlane-Brandenburg, Alain, and Francis Salet. La tenture de l'Apocalypse d'Angers. Nantes, 1987. p. 16.

Sterling, Charles. La Peinture Médiévale à Paris, 1300-1500. Vol. 1. Paris: Bibliothèque des Arts, 1987. p. 202.

Cavallo, Adolfo S. Medieval Tapestries in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993. no. 2, pp. 94-124, fig. 88-92.

Campbell, Thomas P., ed. Tapestry in the Renaissance: Art and Magnificence. New York: The Metropolitan Museum of Art, 2002. pp. 48–49.

Campbell, Thomas P. Henry VIII and the Art of Majesty: Tapestries at the Tudor Court. New Haven and London: Yale University Press, 2007. pp. 23-24, fig. 2.2.

Husband, Timothy B. The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry. New York ; New Haven: The Metropolitan Museum of Art, 2008. p. 17, fig. 17.

Gil, Marc. "Jean Pucelle and the Parisian Seal-Engravers and Goldsmiths." In Jean Pucelle: Innovation and Collaboration in Manuscript Painting, edited by Kyunghee Pyun, and Anna D. Russakoff. London: Harvey Miller Publishers, 2013. p. 39.

Stucky-Schürer, Monica. Eine immerwährende Krönung: Charles VII (1403-1461) und die Throntapisserie im Louvre. Basel: Schwabe & Co., 2014. p. 87.

Stein, Wendy A. How to Read Medieval Art. New York: The Metropolitan Museum of Art, 2016. no. 10, pp. 11, 52–54.