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Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary

Artist:
Niccolò di ser Sozzo (Italian, Siena, active ca. 1334, died 1363)
Date:
ca. 1340
Geography:
Made in Siena, Italy
Culture:
Italian
Medium:
Tempera, ink, and gold on parchment
Dimensions:
Overall: 22 5/8 x 15 7/8 in. (57.5 x 40.4 cm) Illumination: 7 3/16 x 5 3/16 in. (18.2 x 13.1 cm) stave ht.: 1 3/16 in. (3 cm) Mat size: 27 15/16 x 22 in. (71 x 55.9 cm)
Classification:
Manuscripts and Illuminations
Credit Line:
Gift of Louis L. Lorillard, 1896, transferred from the Library
Accession Number:
96.32.12
Not on view
The Assumption of the Virgin, celebrated on August 15, is an especially important holiday in Siena. Niccolò di ser Sozzo, one of the city's renowned illuminators of the fourteenth century, painted it numerous times. The Virgin Mary, in a diaphanous gown, rises effortlessly as choirs of angels guide her path.
Louis L. Lorillard(until 1896)
Milliken, William M. "An Illuminated Miniature by Niccolo di ser Sozzo Tegliacci." Art in America and Elsewhere 13, no. 4 (June 1925). pp. 161-6.

Fehm, Sherwood A. Jr. The Collaboration of Niccolò Tegliacci and Luca di Tommè. Malibu: J. Paul Getty Museum, 1973. no. 5.

van Os, Henk. Studies in Early Tuscan Painting. London, 1992. pp. 123-163, fig. 1-43.

Kanter, Laurence B. "The Illuminators of Early Renaissance Florence." In Painting and Illumination in Early Renaissance Florence, 1300–1450, edited by Laurence B. Kanter, and Barbara Drake Boehm. New York: The Metropolitan Museum of Art, 1994. pp. 9-10.

Boehm, Barbara Drake. "Choirs of Angels: Painting in Italian Choir Books, 1300-1500." The Metropolitan Museum of Art Bulletin, n.s., 66, no. 3 (Winter 2009). p. 35, fig. 40.



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