This relief depicts an ox, the symbol of Saint Luke, holding a book with an inscription from the opening of his Gospel. A second inscription refers to the master sculptor Stephanus and his associates. Nothing more is known of the sculptor, but the hallmarks of his style, with its crispness and richness of decorative forms contrasting with plain surfaces, are characteristic of sculpture in Abruzzi during the late twelfth century. Because of changes in the liturgy promulgated at the Council of Trent (1544-68), medieval pulpits were frequently dismantled and their parts scattered.
Inscription: [on the lintel]: [ ]IS[ ]R[O]PHANIE[ ]SOCIOR[VM]; [on the book]: FVIT IN DIEBVS [H]ERODIS REGIS (Luke, I:5)
From the church of San Michele Arcangelo at San Vittorino, Abruzzo; [ Robin Symes Limited, London (sold 1984)]
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The Metropolitan Museum of Art. Notable Acquisitions, 1984-1985 (Metropolitan Museum of Art) (1985). pp. 11-12.
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Waldman, Louis. "The Cloisters - L'Aquila Pulpit: An Unknown Signature." Gesta 33, no. 1 (1994). pp. 60-64, fig. 1-4.
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