Art/ Collection/ Art Object
{{img.publicCaption}}

Virgin and Child

Artist:
Master of Rabenden (German, active ca. 1500–1530)
Date:
1510–15
Geography:
Made in the Chiemgau, Upper Bavaria, Germany
Culture:
German
Medium:
Limewood with traces of polychromy
Dimensions:
Overall: 23 5/8 x 13 3/4 x 9 7/16in. (60 x 35 x 24cm)
Classification:
Sculpture-Wood
Credit Line:
The Cloisters Collection, 1987
Accession Number:
1987.15
On view at The Met Cloisters in Gallery 20
This Virgin and Child originally was joined by a seated Saint Anne, the Virgin’s mother, to form the Holy Kinship, a group representing three generations of the Holy Family. The scale of the group suggests that it comes from the lower section, or predella, of an altarpiece. Predella sculpture thematically expanded the subject of the main altar above it, which, in this case, may have been dedicated to the Virgin.
Bayerisches Nationalmuseum(1896–1965) ; [ Galerie St. Raphael, Vienna (sold 1987)]
Graf, Hugo, Georg Hager, and Joseph Aloys Mayer. Allgemeine kulturgeschichtliche Sammlungen: Das Mittelalter. Kataloge des Bayerischen Nationalmuseums München 5, Vol. 2. Munich, 1896. no. 648, pp. 40-41.

Halm, Philipp Maria. "Jahrbuch der Königlich Preussischen Kunstsammlungen." Der Meister von Rabenden und die Holzplastik des Chiemgaues 32 (1911). pp. 71, 72, 74, fig. 11.

Halm, Philipp Maria. Studien zur süddeutschen Plastik: Altbayern und Schwaben, Tirol und Salzburg. Vol. 2. Augsburg: Benno Filser & Co., 1927. pp. 54, 59, fig. 60.

Rohmeder, Jürgen. Der Meister des Hochaltars in Rabenden. Münchner kunsthistorische Abhandlungen 3. Munich: Schnell & Steiner, 1971. no. A19, p. 53, fig. 15.

Recent Acquisitions, 1986-1987 (Metropolitan Museum of Art) (1987). p. 18.

The Metropolitan Museum of Art. "One Hundred Seventeenth Annual Report of the Trustees for the Fiscal Year July 1, 1986, through June 30, 1987." Annual Report of the Trustees of the Metropolitan Museum of Art 117 (1987). p. 35.

Wixom, William D. "Medieval Sculpture at The Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 46, no. 3 (Winter 1988-1989). p. 24.

Didier, Robert. "Sculptures et retables des anciens Pays-Bas méridionaux des années 1430-1460: Traditions et innovations pour le Haut-Rhin et l’Allemagne du Sud." In Le Retable d'Issenheim et la sculpture au nord des Alpes à la fin du Moyen Âge: Actes du colloque de Colmar (2-3 novembre 1987), edited by Christian Heck. Bulletin de la Société Schongauer, numéro spécial. Colmar: Musée d'Unterlinden, 1989. pp. 48-79, 53, 56, fig. 8.

Sainte Anne trinitaire: Une oeuvre de l'atelier du Maître de Rabenden. Colmar: Musée d'Unterlinden, 1990. pp. 30, 34, fig. 19.

Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 284, pp. 223–24.

Wixom, William D. "Riemenschneider in America." In Tilman Riemenschneider: Master Sculptor of the Late Middle Ages, edited by Julien Chapuis. Washington, D.C.: National Gallery of Art, 1999. p. 158.



Related Objects

Saints Christopher, Eustace, and Erasmus (Three Helper Saints)

Artist: Tilman Riemenschneider (German, 1460–1531) Date: ca. 1500–1505 Medium: Limewood Accession: 61.86 On view in:Gallery 20

Seated Bishop

Artist: Tilman Riemenschneider (German, 1460–1531) Date: ca. 1495 Medium: Limewood and gray-black stain Accession: 1970.137.1 On view in:Gallery 20

Virgin and Child on a Crescent Moon

Date: ca. 1480 Medium: Limewood with paint Accession: 1984.198 On view in:Gallery 20

Saint Christopher Carrying Christ

Date: 1510–20 Medium: Limewood Accession: 1973.135 On view in:Gallery 2

Nativity of the Virgin

Date: ca. 1480 Medium: Limewood with paint Accession: 56.211 On view in:Gallery 20