Art/ Collection/ Art Object

Man of Sorrows with Kneeling Donor

Date:
fourth quarter 15th century with modern additons
Culture:
South Netherlandish
Medium:
Oil and tempera on wood
Dimensions:
Overall: 18 x 12 1/2 in. (45.7 x 31.8 cm)
Classification:
Paintings-Panels
Credit Line:
The Cloisters Collection, 1974
Accession Number:
1974.392
Not on view
Emile Renders, Bruges (by 1924–March 1941) ; Alois Miedl, Brussels and Bilbao (1941–1969; inv. no. 59) ; Hester Diamond, New York (by 1969–sold 1974) ; [ Christie's, London(June 28, 1974)]
Michel, Édouard. "Un Christ de Pitié au Temps des van Eyck." Gazette des Beaux-Arts, 5th ser., 10, no. 3 (November 1924). pp. 273–78.

Conway, Martin, ed. Catalogue of the Loan Exhibition of Flemish & Belgian Art: A Memorial Volume. London: Royal Academy of Arts, 1927. no. 6, p. 5, pl. 3.

Michel, Édouard, and Georges Hulin de Loo. Les Peintures Primitives des XIVe-XVe-XVIe siècles de la Collection Renders a Bruges. Bruges: B. T. Batsford, 1927. pp. 45–49, ill. p. 51.

Michel, Édouard, and Georges Hulin de Loo. Early Flemish Paintings in the Renders Collection at Bruges, Exhibited at the Belgian Exhibition, Burlington House, January, 1927. London: B. T. Batsford, 1927. pp. 45–49, ill. p. 51.

Destrée, Jules. "Le Maître dit de Flémalle: Robert Campin." Revue de l'art ancien et moderne 54 (1928).

Renders, Émile. "Cracks in Flemish Primitives." The Burlington Magazine for Connoisseurs 52 (January 1928). pp. 59–65.

Martens, Bella. Meister Francke. Hamburg: Friedrichsen, De Gruyter & Co. M. B. H., 1929. no. 273, p. 248, fig. 273.

Hulin de Loo, Georges. "Traces de Hubrecht van Eyck: Empreintes contemporaines en Suisse et en Allemagne." Annuaire des Musées Royaux des Beaux-Arts de Belgique 4 (1943–44). p. 16, pls. 24, 25B.

Puttfarken, Thomas, ed. Meister Francke und die Kunst um 1400. Hamburg: Hamburger Kunsthalle, 1969. no. 10, p. 58, pl. 26.

Sonnenburg, Hubert von. "The Changing Image: Studies in Paintings Conservation. A Case of Recurring Deception." The Metropolitan Museum of Art Bulletin 51 (Winter 1993/94). pp. 8–19.

Baetjer, Katharine. European Paintings in the Metropolitan Museum of Art by artists born in or before 1895: A summary catalogue. New York: The Metropolitan Museum of Art, 1995. p. 257.

Ainsworth, Maryan, and Keith Christiansen, ed. From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1998. p. 405.

Verougstraete, Hélène. Restaurateurs ou faussaires des primitifs flamands. Ghent: Ludion Press, 2004. no. 14, pp. 113, 144–45.

Laemers, Suzanne. "A Matter of Character': Max J. Friedländer et ses relations avec Émile Renders et Jef van der Veken"=." In Autour de la "Madeleine Renders": Un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle, edited by Dominique Vanwijnsberghe. Brussels: Koninklijk Instituut voor het Kunstpatrimonium, 2008. pp. 68-70, 152, 158, 163, 166–67 68–70, fig. 5.

Lust, Jacques. "Grandeur et décadence d'Émile Renders: Chronique mouvementée d'une collection d'art Belge." In Autour de la "Madeleine Renders": Un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle, edited by Dominique Vanwijnsberghe. Brussels: Koninklijk Instituut voor het Kunstpatrimonium, 2008. pp. 137, 139.

Pypaert, Jean-Luc. "Early Netherlandish Painting XV?: Joseph van der Veken." In Autour de la "Madeleine Renders": Un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle, edited by Dominique Vanwijnsberghe. Brussels: Koninklijk Instituut voor het Kunstpatrimonium, 2008. no. 140, pp. 239–40.



Related Objects

Scenes from the Life of Saint Augustine of Hippo

Artist: Master of Saint Augustine (Netherlandish, ca. 1490) Date: ca. 1490 Medium: Oil, gold, and silver on wood Accession: 61.199 On view in:Gallery 10

Virgin and Child

Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485–1540/41 Antwerp) and a collaborator Date: ca. 1525 Medium: Oil on wood Accession: 1982.60.47 On view in:Gallery 537

Moses Striking the Rock

Artist: Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht) Date: 1596 Medium: Oil on canvas Accession: 1972.171 On view in:Gallery 631

Annunciation Triptych (Merode Altarpiece)

Artist: Workshop of Robert Campin (Netherlandish, ca. 1375–1444 Tournai) Date: ca. 1427–32 Medium: Oil on oak Accession: 56.70a–c On view in:Gallery 19

Saint Michael

Artist: Master of Belmonte (Spanish, Aragon, active ca. 1460–90) Date: 1450–1500 Medium: Tempera and oil on wood Accession: 55.120.2 On view in:Gallery 20