Art/ Collection/ Art Object
{{img.publicCaption}}

Monstrance

Date:
ca. 1500
Geography:
Made in Saragossa or Valladolid, Spain
Culture:
Spanish
Medium:
Silver, silver gilt, translucent and opaque enamels, rock crystal
Dimensions:
Overall: 18 3/4 x 9 1/4 x 7 1/2 in. (47.6 x 23.5 x 19.1 cm)
Classification:
Metalwork-Silver
Credit Line:
The Cloisters Collection, 1999
Accession Number:
1999.206
On view at The Met Cloisters in Gallery 14
This monstrance is constructed largely of silver sheets that have been decorated with elaborate pierced work, a technique favored by Spanish goldsmiths in the early sixteenth century. The enamel and niello medallions represent a lioness breathing life into its cubs and a pelican feeding its fledglings with the blood of its breast. Both subjects allude to the redemption of humankind through Christ's sacrifice, suggesting that the vessel originally displayed a Eucharistic wafer.
Martin Hecksher, Vienna (until 1898) ; [ S. Durlacher, London (1898)] ; John Edward Taylor(before 1901-1912) ; his sale, Christie, Manson and Woods, London (July 1-9, 1912, no. 88) ; [ Harding(1912-?)] ; Edward J. Berwind, Philadelphia and New York (until d. 1936) ; his estate sale, Parke-Bernet Galleries, New York (November 9-11, 1939, no. 380) ; [ Brummer Gallery, Paris and New York (until 1949) ] ; Ruth and Leopold Blumka, New York (1949-1995) ; Anthony Blumka, New York (1995-1999)
Catalogue of the renowned Collection of Works of Art, chiefly of the 16th, 17th, and 18th Centuries, formed by the late Martin Heckscher. London: Christie, Manson & Woods, May 4–6, 1898. no. 213, p. 43, ill.

Catalogue of the renowned collection of works of art, chiefly of the mediaeval and Renaissance times, Greek and Roman antiquities, French 18th century furniture and old Chinese porcelain, formed by the late John Edward Taylor. London: Christie, Manson & Woods, July 1–9, 1912. no. 88, p. 30, ill.

The Metropolitan Museum of Art. "Recent Acquisitions: A Selection, 1998-1999." The Metropolitan Museum of Art Bulletin 57, no. 2 (Fall 1999). p. 22.

Pardo, Francisco Fernández. Dispersión y Destrucción del Patrimonio Artístico Español. Vol. 4. Madrid: Fundación Universitaria Española, 2007. p. 572, fig. 246.

Barnet, Peter. "Recent Acquisitions (1999-2008) of Medieval Art at the Metropolitan Museum of Art and the Cloisters, New York: Supplement." The Burlington Magazine 150, no. 1268 (November 2008). p. 800, fig. XXII.



Related Objects

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló

Artist: Francí Gomar (Spanish, Aragon, active by 1443–died ca. 1492/3) Date: ca. 1456–1458 Medium: Alabaster with traces of paint and gilding Accession: 09.146 On view in:Gallery 16

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló

Artist: Francí Gomar (Spanish, Aragon, active by 1443–died ca. 1492/3) Date: ca. 1456–1458 Medium: Alabaster Accession: 16.79 On view in:Gallery 16

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló

Artist: Francí Gomar (Spanish, Aragon, active by 1443–died ca. 1492/3) Date: ca. 1456–1458 Medium: Alabaster Accession: 14.101.2 On view in:Gallery 16

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló

Artist: Francí Gomar (Spanish, Aragon, active by 1443–died ca. 1492/3) Date: ca. 1456–1458 Medium: Alabaster Accession: 14.101.1 On view in:Gallery 16

Ewer with Wild Man Finial

Date: ca. 1500 Medium: Silver gilt, enamel, and paint Accession: 53.20.2 On view in:Gallery 16