H. 34-1/2, W. 22-1/4, D. 20 inches (87.6 x 56.5 x 50.8 cm.)
Gift of Dr. and Mrs. Irwin R. Berman, 1976
Not on view
The noted architect Patout, together with Henri Pacon, was responsible for the layout and decoration of a number of the first-class public spaces on the liner, including the vast dining room, which was more than 300 feet long and 28 feet high and could seat 700 people at 150 tables. The room occupied an interior space with no windows, so Patout and Pacon made up for the lack of natural light by covering the walls with thick slabs of reflective, translucent glass that created a spatially ambiguous atmosphere. The walls were punctuated with ranks of tall columnar lamps, and twelve illuminated glass “fountains” by René-Jules Lalique further contributed to the cool glamour of the room.
This pair of armchairs is from the room’s suite of seating furniture; the machine-woven upholstery incorporates a red shield with two lions passant—a heraldic device symbolizing the French province of Normandie, for which the liner was named and where her home port, Le Havre, is located. Underneath each seat was a mechanism used to anchor the chair to the floor when seas were rough.
Compagnie Générale Transatlantique, SS Normandie (1934–42); [Edward G. Collord, United States Appraisers Stores, New York, 1942]; Otto Verne, New York (1942–d. ca. 1975; his estate, sold in 1975 to Berman); Dr. and Mrs. Irwin R. Berman, New York (1975–76; their gift to MMA)
New York. The Metropolitan Museum of Art. "Masterpieces of French Art Deco," August 4, 2009–January 23, 2011, no catalogue.
Compagnie Générale Transatlantique. Le Paquebot "Normandie". Paris, 1935, unpaginated.
Anne Wealleans. Designing Liners: A History of Interior Design Afloat. New York, 2006, p. 98.
John Maxtone-Graham. Normandie: France's Legendary Art Deco Ocean Liner. New York, 2007, pp. 50, 74, 86, 129.
Frédéric Ollivier, Aymeric Perroy, and Franck Sénant. À bord des paquebots: 50 Ans d'arts décoratifs. Paris, 2011, pp. 208, 210.
Jared Goss. French Art Deco. New York, 2014, pp. 160–61, 246 n. 2 under no. 44, p. 260, no. 44, ill. (color).