Art/ Collection/ Collection/ Art Object

Untitled

Artist:
Clyfford Still (American, 1904–1980)
Date:
1946
Medium:
Oil on canvas
Dimensions:
62 × 44 5/8 in. (157.5 × 113.3 cm)
Classification:
Paintings
Credit Line:
George A. Hearn Fund and Arthur Hoppock Hearn Fund, 1977
Accession Number:
1977.174
Rights and Reproduction:
© 2016 Artists Rights Society (ARS), New York
Not on view
New York. Whitney Museum of American Art. "Abstract Expressionism: The Formative Years," October 5–December 3, 1978, not in catalogue (unnumbered checkllist).

New York. The Metropolitan Museum of Art. "Clyfford Still," November 17, 1979–February 3, 1980, no. 6.

New York. CDS Gallery. "The Irascibles," February 4–27, 1988.

Tulsa, Okla. Philbrook Museum of Art. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," April 14–June 9, 1991, no. 57.

Miami. Center for the Fine Arts. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," June 29–August 24, 1991, no. 57.

Omaha. Joslyn Art Museum. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," September 14–November 10, 1991, no. 57.

Tampa Museum of Art. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," December 14, 1991–February 8, 1992, no. 57.

Greenville, S. C. Greenville County Museum of Art. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," March 17–May 10, 1992, no. 57.

Madison, Wisc. Madison Art Center. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," June 6–August 2, 1992, no. 57.

Grand Rapids, Mich. Grand Rapids Art Museum. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," September 11–November 8, 1992, no. 57.

Laguna Beach, Calif. Laguna Art Museum. "The San Francisco School of Abstract Expressionism," January 26–April 14, 1996, unnumbered cat. (fig. 2.24).

San Francisco Museum of Modern Art. "The San Francisco School of Abstract Expressionism," June 27–September 8, 1996, unnumbered cat.

New York. National Academy of Design. "The San Francisco School of Abstract Expressionism," October 9, 1996–January 4, 1997, unnumbered cat.

Montpellier. Musée Fabre. "Abstractions Américaines, 1940–1960," July 3–October 3, 1999, no. 15.

Washington, D. C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. "Clyfford Still: Paintings 1944–1960," June 21–September 16, 2001, unnumbered cat. (fig. 5).

Musée des Beaux-Arts, Lyons. "Repartir à zéro, 1945-1949: Comme si la peinture n'avait jamais existé," October 24, 2008–February 2, 2009, no. 140.

Denver. Clyfford Still Museum. "Repeat/Recreate: Clyfford Still's 'Replicas'," September 18, 2015–January 10, 2016, no. 16 (as "PH-384").

Lowery S. Sims in "Twentieth Century Art." The Metropolitan Museum of Art: Notable Acquisitions, 1975–1979. New York, 1979, pp. 72–73, ill. (color), calls it "Acrobat".

Bonnie Clearwater. Mark Rothko: Works on Paper. Exh. cat.New York, 1984, p. 33, mentions it as an illustration of Rothko's affinity and friendship with Still.

Eugene Victor Thaw. "The Abstract Expressionists." Metropolitan Museum of Art Bulletin 44 (Winter 1986–87), p. 31, fig. 24 (color).

Lowery S. Sims in 20th Century Art: Selections from the Collection of The Metropolitan Museum of Art, New York. Vol. 2, Painting: 1945–1985. New York, 1986, pp. 12–13, ill. (color, overall and detail), calls it "Untitled (PH–384)".

Barbara Burn, ed. Masterpieces of the Metropolitan Museum of Art. New York, 1993, pp. 304–5, ill. (color).

Isabelle Chrétien. Abstractions Américaines 1940–1960. Exh. cat., Musée Fabre. Paris, 1999, p. 80, fig. 15 (color).



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