Art/ Collection/ Art Object

Untitled

Artist:
Jackson Pollock (American, Cody, Wyoming 1912–1956 East Hampton, New York)
Date:
ca. 1952–56
Medium:
Dripped ink on paper
Dimensions:
28 7/8 x 20 7/8 in. (73.3 x 53 cm)
Classification:
Drawings
Credit Line:
Gift of Lee Krasner Pollock, 1982
Accession Number:
1982.147.29
Rights and Reproduction:
© 2010 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Not on view
the artist, Springs, N.Y. (until d. 1956; his estate, New York, 1956–62); Lee Krasner Pollock, New York (1962–82; her gift to MMA)

New York. Sidney Janis Gallery. "Drawings by Jackson Pollock," November 4–30, 1957, no catalogue (Ref. O'Connor and Thaw 1978 list as no. 35).

Museum of Modern Art, New York. "Jackson Pollock," April 5–June 4, 1967, no. 151 (dated 1950(?), lent by the estate of the artist).

Los Angeles County Museum of Art. "Jackson Pollock," July 9–September 3, 1967, no. 151.

Minneapolis. Walker Art Center. "Jackson Pollock: Works on Paper," February 11–March 19, 1968, unnumbered cat.

College Park. University of Maryland Art Gallery. "Jackson Pollock: Works on Paper," April 1–22, 1968, unnumbered cat.

Museum of Contemporary Art, Chicago. "Jackson Pollock: Works on Paper," May 14–June 16, 1968, unnumbered cat.

Seattle Art Museum. "Jackson Pollock: Works on Paper," July 11–August 18, 1968, unnumbered cat.

Baltimore Museum of Art. "Jackson Pollock: Works on Paper," September 8–October 6, 1968, unnumbered cat.

Montreal Museum of Fine Arts. "Jackson Pollock: Works on Paper," October 21–November 18, 1968, unnumbered cat.

Waltham, Mass. Rose Art Museum, Brandeis University. "Jackson Pollock: Works on Paper," January 20–February 16, 1969, unnumbered cat.

New York. Marlborough-Gerson Gallery. "Jackson Pollock: Black and White," March 1969, no. 37 (as "Drawing," c. 1950).

Rome. Palazzo Venezia. "Jackson Pollock, opere 1930–1956," April–June 1983, unnumbered cat.

Museum of Art, Fort Lauderdale. "Jackson Pollock–A Painter's Drawings 1930–1956," January 4–29, 1984, unnum. checklist.

Des Moines Art Center. "Jackson Pollock Drawings from The Metropolitan Museum of Art," January 15–February 24, 1985, no. 33.

Tokyo. The Shoto Museum of Art. "Drawings Jackson Pollock: Loan Exhibition from The Metropolitan Museum of Art," August 20–September 29, 1985, no. 28.

Fukuoka Art Museum. "Drawings Jackson Pollock: Loan Exhibition from The Metropolitan Museum of Art," October 8–27, 1985, no. 28.

Stuttgart. Württembergischer Kunstverein. "Jackson Pollock: Zeichnungen," October 11–December 2, 1990, no. 31.

Atlanta. High Museum of Art. "Abstract Expressionism, Works on Paper: Selections from The Metropolitan Museum of Art," January 26–April 4, 1993, no. 37.

New York. The Metropolitan Museum of Art. "Abstract Expressionism, Works on Paper: Selections from The Metropolitan Museum of Art," May 4–September 12, 1993, extended to November 7, 1993, no. 37.

National Museum of Modern Art, Tokyo. "Abstract Expressionism: Works on Paper, Selections from The Metropolitan Museum of Art," March 11–June 4, 1995, no. 51.

Madrid. Fundación Juan March. "Expresionismo Abstracto: Obra Sobre Papel, Colección The Metropolitan Museum of Art, Nueva York," May 9–July 2, 2000, no. 47.

Washington, D.C. Phillips Collection. "Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet," February 9–May 12, 2013, no. 18 [reproduced upside down].

Water Mill, N.Y. Parrish Art Museum. "Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet," July 21–October 27, 2013, no. 18 [reproduced upside down].

Francis Valentine O'Connor and Eugene Victor Thaw, ed. Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works. Vol. 3, Drawings, 1930–1956. New Haven, 1978, p. 321, no. 848, ill.

Tilman Osterwold in Jackson Pollock: Zeichnungen. Exh. cat., Württembergischer Kunstverein. Stuttgart, 1990, pp. 14, 19, 73, pl. 31.

Lisa Mintz Messinger in Jackson Pollock: Zeichnungen. Exh. cat., Württembergischer Kunstverein. Stuttgart, 1990, p. 66, pl. 31.

Lisa Mintz Messinger. Abstract Expressionism, Works on Paper: Selections from The Metropolitan Museum of Art. Exh. cat., High Museum of Art, Atlanta. New York, 1992, pp. 86, 96, fig. 37 (color), states that this drawing was made by dripping ink from the dropper of a bottle top; identifies an abstracted figure on the left side of this composition.

Holland Cotter. "Abstract Expressionism: The Lighter, Quieter Side." New York Times (June 4, 1993), p. C24.



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