Art/ Collection/ Collection/ Art Object

Thrust

Artist:
Adolph Gottlieb (American, New York 1903–1974 New York)
Date:
1959
Medium:
Oil on canvas
Dimensions:
108 x 90 in. (274.3 x 228.6 cm)
Classification:
Paintings
Credit Line:
George A. Hearn Fund, 1959
Accession Number:
59.164
Not on view
Inscription: Signed and dated (verso): Adolph Gottlieb/ 1959
New York. French and Company. "Adolph Gottlieb: New Paintings," January 6–February 6, 1960.

New York. The Metropolitan Museum of Art. "Three Centuries of American Painting," April 9–October 17, 1965, unnum. checklist.

New York. The Metropolitan Museum of Art. "New York Painting and Sculpture: 1940–1970," October 18, 1969–February 1, 1970, no. 102.

National Gallery of Art, Washington D.C. "Great American Paintings from the Boston and Metropolitan Museums," November 30, 1970–January 10, 1971, no. 97.

Saint Louis, Mo. City Art Museum. "Great American Paintings from the Boston and Metropolitan Museums," January 28–March 7, 1971, no. 97.

Seattle Art Museum. "Great American Paintings from the Boston and Metropolitan Museums," March 25–May 9, 1971, no. 97.

Columbus Gallery of Fine Arts. "Aspects of Postwar Painting in America: In Observation of the Bicentennial Year 1976," January 17–February 29, 1976, unnumbered cat.

New York. The Metropolitan Museum of Art. "Tribute to a Curator: Robert Beverly Hale," November 16, 1978–March 4, 1979, unnum. checklist.

Henry Geldzahler. American Painting in the Twentieth Century. New York, 1965, p. 191, ill.

Mahonri Sharp Young. "The Metropolitan Museum of Art Centenary Exhibitions I. The New York School." Apollo 90 (November 1969), p. 432, fig. 8.

Robert Rosenblum. Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. New York, 1975, p. 206, fig. 301.

Lowery S. Sims in Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso. Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1981, p. 167.

Eugene Victor Thaw. "The Abstract Expressionists." Metropolitan Museum of Art Bulletin 44 (Winter 1986–87), p. 13, fig. 6 (color).

Claude Cernuschi. "Not an Illustration but the Equivalent": A Cognitive Approach to Abstract Expressionism. Madison, N.J., 1997, ill. p. 151.



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