明 董其昌 倣倪瓚山水圖 軸 Landscape with Trees in the Manner of Ni Zan (1301–1374)
Dong Qichang (Chinese, 1555–1636)
Ming dynasty (1368–1644)
Hanging scroll; ink on paper
Image: 45 1/2 x 18 in. (115.6 x 45.7 cm)
Overall with mounting: 94 7/8 x 27 1/2 in. (241 x 69.9 cm)
Overall with knobs: 94 7/8 x 31 1/2 in. (241 x 80 cm)
Bequest of John M. Crawford Jr., 1988
Not on view
Dong Qichang revived the tenets of the scholar-painter: to follow the ancient models and to apply the principles of calligraphy to painting. In proposing a "great synthesis" of all ancient landscape idioms, Dong turned landscape forms into calligraphic abstractions. The most desirable element in painting, according to Dong, was brushwork rather than representation: "If one considers the wonders of brush and ink, real landscape can never equal painting."
This painting is an interpretation of the Yuan master Ni Zan's (1306–1374) art. Dong Qichang regarded Ni's painting as a calligraphic abstraction of the tenth-century master Dong Yuan's style and used Dong Yuan's "hemp-fiber" texture strokes to re-create Ni Zan's brush landscape idiom.
Inscription: Artist's inscription and signature (2 columns in semi-cursive script)
Song Xuefan 宋雪帆 (1802–1874), 2 columns in semi-cursive script, dated 1868:
Artist: Dong Qichang (Chinese, 1555–1636)Date: 17th century, probably after 1625Medium: Album of eight paintings and eight calligraphies; ink, gold and color on gold-flecked paperAccession: 1989.372a–hOn view in:Not on view