Shiro Kuramata, a member of Memphis and among the most innovative designers of the late twentieth century, was fascinated by the visual possibilities of acrylic. This vase exemplifies the elegance and poetic lyricism of his minimalist aesthetic. Its prismatic luminosity changes with light and viewpoint, exploiting the optical effects of the material, a strategy Sottsass also employs in his use of acrylic in Cabinet No. 56.
Dr. Michael Sze, North Bend, Ore. (until 2000; his gift to MMA)
New York. The Metropolitan Museum of Art. "A Century of Design, Part IV: 1975-2000," June 25, 2001–January 6, 2002, no catalogue.
New York. The Metropolitan Museum of Art. "Classic/Fantastic: Selections from the Modern Design Collection," December 21, 2007–April 5, 2009, no catalogue.
Michiko Aikawa and Katsunobu Horiguchi, ed. Shiro Kuramata. Exh. cat., Hara Museum of Contemporary Art. Tokyo, 1996, pp. 69, 191, no. 20, ill. pp. 192–93 (color) (collection SPIRAL, Nichinan Co. Ltd.).
Deyan Sudjic. Shiro Kuramata. Vol. 1, Essays & Writings. London, 2013, ill. p. 107 (color).
Deyan Sudjic. Shiro Kuramata. Vol. 2, Catalogue of Works. London, 2013, pp. 235, 375, no. 588, ill. (color).