青紫縮緬地菊模様着物 （襲付） Kimono Ensemble with Chrysanthemums
Taishō period (1912–26)
Silk, metallic thread
(a): H (shoulder to hem) 62 in. (157.5 cm); W (wrist opening to wrist opening) 49 in. (124.5 cm)
(b): H (shoulder to hem) 62 5/8 in. (159 cm); W (wrist opening to wrist opening) 49 3/4 in. (126.4 cm)
Gift of Atsuko Irie, in honor of Suga Irie, 1998
Not on view
The 1920s witnessed the rise in Japan of associations of amateur chrysanthemum enthusiasts, and a stand of spectacular chrysanthemums commands the bottom of this kimono, with their slender petals curving dynamically upward against the rich blue ground. On the outer robe, the leaves are embroidered with couched gold metallic threads in circular details that may represent dewdrops and the family crest is resist dyed in white in five places. On the inner robe, the lower section echoes the chrysanthemum pattern of the outer robe both inside and out. The upper section is stitch-resist dyed on plain-weave silk with diagonal bands alternating turquoise and red, each with an incomplete geometric pattern of stylized hemp leaves (asa-no-ha). The vivid colors and the painterly execution of the pattern are characteristic of the Taishō period. A bride wore this kimono ensemble on her wedding day in 1923.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Autumn and Winter," June 22, 2006–September 10, 2006.
The New York Botanical Garden. "Kiku: The Art of the Japanese Chrysanthemum," October 18, 2008–January 11, 2009.
Artist: Maio Motoko (Japanese, born Tokyo 1948)Date: 2011Medium: Pair of six-panel folding screens; crushed paper, ink, white pigment (gofun), gold leaf, and silk on paper
Accession: 2013.461.1, .2On view in:Gallery 230