Qing dynasty (1644–1911), Kangxi period (1662–1722)
early 18th century
Porcelain with ivory glaze (Fujian Province; Dehua ware)
H. 11 3/4 in. (29.8 cm)
Purchase by subscription, 1879
Not on view
The tortoise at the base of the sculpture identifies this figure as Zhenwu, an important Daoist deity who also was worshipped in Buddhist traditions. Zhenwu became particularly popular during the Ming dynasty (1368–1644), when he was revered as a protector of both the state and the imperial family. His role as a guardian reflects his association with the north, the direction from which China was constantly threatened by neighboring peoples from Central Asia.
Samuel Putnam Avery Sr. , New York (until 1879)
New York. The Metropolitan Museum of Art. "A Millennium of Chinese Painting: Masterpieces from the Permanent Collection," September 8, 2001–January 13, 2002.
New York. The Metropolitan Museum of Art. "When the Manchus Ruled China: Painting under the Qing Dynasty (1644–1911)," February 2, 2002–August 18, 2002.
New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12, 2004–August 8, 2004.
New York. The Metropolitan Museum of Art. "Secular and Sacred: Scholars, Deities, and Immortals in Chinese Art," September 10, 2005–January 8, 2006.
New York. The Metropolitan Museum of Art. "The Art of Dissent in 17th-Century China: Masterpieces of Ming Loyalist Art from the Chih Lo Lou Collection," September 6, 2011–January 2, 2012.