Stoneware with brushed white slip and copper-green and iron-brown glazes (Utsutsugawa ware)
H. 1 3/4 in. (4.4 cm); Diam. 7 1/4 in. (18.4 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
A quintessential example of Utsutsugawa ware, this dish was formed on the wheel, then pressed over a mold to shape the foliate rim, and, finally, decorated with white slip and a painted ginkgo-leaf design. The meticulously brushed slip follows the turn of the potter's wheel, revealing the method of its application. Two large, nearly symmetrical ginkgo leaves with overlapping and entwined stems completely cover the interior of the dish. Superbly executed in iron-oxide pigment and copper-green glaze (and sheathed entirely with a thin layer of clear glaze), they create a design that is almost abstract. Compared to the earthy and exuberant decoration on Takeo Karatsu ware, which also combines iron-brown painting and copper-green glaze, Utsutsugawa pieces are subtler, smoother, and exquisite.
Southampton. Parrish Art Museum. "Japanese Ceramics: From Prehistoric Times to the Presnet," August 5, 1978–September 24, 1978.
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.
New York. The Metropolitan Museum of Art. "Poetry in Clay: Korean Buncheong Ceramics from Leeum, Samsung Museum of Art," April 7, 2011–August 14, 2011.