Stoneware with underglaze iron oxide; lacquer cover
H. 4 1/2 in. (11.4 cm); Diam. 6 1/2 in. (16.5 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
This mizusashi is a container that would have been used in the tea ceremony to hold fresh water to rinse the tea bowls or fill the kettle. The potter coated the dark clay ground of this jar in a white slip, providing a light background for painting. The trunks of the stylized pine trees were painted in almost calligraphic strokes, while the leafy tops seem almost like puffs of clouds. The style is that of Ogata Kenzan (1663–1743), though this jar was probably produced by one of his followers. Kenzan was an amateur painter and potter active in the Edo period, and was known for his painterly, decorative wares.
Marking: (Impressed seal on base, undeciphered)
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA)
New York. The Metropolitan Museum of Art. "Poetry and Travel in Japanese Art," December 18, 2008–May 31, 2009.
New York. The Metropolitan Museum of Art. "Designing Nature: The Rinpa Aesthetic in Japanese Art," May 26, 2012–January 13, 2013.
Artist: Ogata Kenzan (Japanese, 1663–1743)Date: 18th centuryMedium: Clay covered with white and black glazes and decorated on the white parts under the glaze (Kenzan style)Accession: 93.1.180On view in:Not on view
Artist: Ogata Kenzan (Japanese, 1663–1743)Date: ca. 1705Medium: Cylindrical, the flat cover inset; hard, light clay; bluish-gray glaze, streaked showing white underglaze; snowy landscape with figures in boat modeled in white and brown slip, in low relief; meander borders in white and blue (Tokyo ware)Accession: 36.120.634a, bOn view in:Not on view
Artist: Ogata Kenzan (Japanese, 1663–1743)Date: ca. 1740Medium: Oblong; dark brown clay; moulded frame and shaped supports glazed black; both faces of screen with ivory glaze, decorated with landscapes in black (Tokyo ware)Accession: 36.120.655On view in:Not on view