These relief blocks forming a corner show Akhtihotep twice: on the left, he wears a panther-skin garment, the tail of which hangs down between his legs, and on the right, he wears a standard kilt. Placed to form one side and the front, respectively, of the frame of a double recessed false door, the reliefs were so arranged that Akhtihotep appeared both emerging from the false-door niche (left) and entering it (right).
Other blocks from Akhtihotep's tomb (58.44.2a) depict offering bearers.
The blocks preserve the lower parts of two inscriptions, which enumerate Akhtihotep's titles:
(1) [zAb-aD-mr wr-mD-Sma.w Hr.j-sStA n nswt m Hw.t-wr.t n.t pr-nswt jm.j]-r'-jp.t-nswt
(4) [The senior provincial administrator, greatest of the tens of Upper Egypt, privy to the secret(s) of the king in the great court of the palace], overseer of the royal (private) chamber
(5) [manager of the great estate, custodian of the palace property, inspector of the great phyle of the palace, director of the miter-servants*], priest
(6) [of Iat, priest of Bastet who is upon the throne, ka-priest, Akhti]hotep
* mjtr- an obscure title which probably indicates a class of servants in the palace. At least five other officials are known to be in charge of miter-workmen, all from the region of Memphis. The title fell out of use by the end of the Fourth Dynasty. The female version of this title persisted until the end of the Old Kingdom, see K. Daoud, "The False Door of the Family of Skr-Htp." In: SAK 23 (1996): 88-96.
Niv Allon 2016
Purchased from Ernst E. Kofler, Lucerne, Switzerland, 1958.
Mariette, Auguste 1889. Les Mastabas de l'Ancien Empire: Fragment [de son] Dernier Ouvrage. Paris: F. Vieweg, p. 57, 69-70; no. A1.
Russmann, Edna R. 1983. Egyptian Art. New York: Metropolitan Museum of Art, p. 6, no. 4.