Art/ Collection/ Art Object
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Linen from Tutankhamun's Embalming Cache

Period:
New Kingdom
Dynasty:
Dynasty 18
Reign:
reign of Tutankhamun
Date:
ca. 1336–1327 B.C.
Geography:
From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08
Medium:
Linen, ink
Dimensions:
l. 96.5 cm (38 in); w. 32 cm (12 5/8 in)
Credit Line:
Gift of Theodore M. Davis, 1909
Accession Number:
09.184.220
Not on view
In December 1907 Theodore M. Davis, a wealthy American who was funding excavations in the Valley of the Kings, discovered a small pit near the tomb of Seti I. Inside the pit were approximately a dozen large sealed whitewashed storage jars (09.184.1). Among other things, the jars contained bags of natron (a kind of salt), pieces of linen with hieratic inscriptions dated to Years 6 and 8 of a king named Tutankhamun (throne name Nebkheperure). At the time, almost nothing was know about Tutankhamun, and Davis declared that he had discovered the king's tomb.


Davis received a number of the jars and their contents in the division of finds and, in 1909, he gave most of his share to the Metropolitan Museum. It was only later that Herbert Winlock, the field director of the Museum's excavations at Thebes, realized that the natron and linen were embalming refuse from the mummification of Tutankhamun.


This piece of linen cloth is inscribed in two places. In the upper right corner, the inscription reads: The Good God, Lord of the Two Lands, Nebkheperure, Beloved of Min, linen of year 6. The second inscription, at the center bottom of the sheet, is two lines of hieratic (a cursive form of Egyptian writing) and has, thus far, proven illegible.
Excavated by Theodore M. Davis in the Valley of the Kings (KV 54), 1907. Received by Davis in the division of finds. Given by Davis to the Metropolitan Museum of Art, 1909.

Winlock, Herbert E. 2010. "Materials Used at the Embalming of King Tutankhamun." In Tutankhamun's Funeral, edited by Herbert E. Winlock and Dorothea Arnold. New York: Metropolitan Museum of Art, pp. 30–32, figs. 24, 24a–c.

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