Art/ Collection/ Art Object

『浅草側いせ暦』 文房具と梅熨斗 『春雨集』 摺物帖
“Desk with Writing Set and Plum Flowers,” from the series Ise Calendars for the Asakusa Group (Asakusa-gawa Ise goyomi) From the Spring Rain Collection (Harusame shū), vol. 2

Artist:
Kubo Shunman (Japanese, 1757–1820) (?)
Period:
Edo period (1615–1868)
Date:
probably 1814 (Year of the Dog)
Culture:
Japan
Medium:
Polychrome woodblock print (surimono); ink and color on paper
Dimensions:
8 1/4 x 7 3/8 in. (21 x 18.7 cm)
Classification:
Prints
Credit Line:
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number:
JP2140
Not on view
Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images.

This album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock printing.
Signature: Shunman sei (made by) in title in red
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The Tazukuri no Tamagawa, popularly known as the Chofu no Tamagawa

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