Art/ Collection/ Art Object
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Monkey and Man Playing Instruments

Period:
Third Intermediate Period–Late Period
Dynasty:
Dynasty 22–26
Date:
ca. 945–525 B.C.
Geography:
From Egypt
Medium:
Faience
Dimensions:
H. 10 × W. 2.9 × D. 2.7 cm (3 15/16 × 1 1/8 × 1 1/16 in.)
Credit Line:
Rogers Fund, 1944
Accession Number:
44.4.17
Not on view
This figure is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production.

Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature.

Bes-rattles must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
J. Pierpont Morgan Collection, acquired by him from Maurice Nahman, Cairo, before 1913. Acquired by the Museum from the Estate of J. P. Morgan, 1944.

Bulté, Jeanne and Centre National de la Recherche Scientifique 1991. Talismans Égyptiens d'heureuse maternité - "faience" bleu vert à pois foncés. 1991. Paris, p. 39.

Hill, Marsha 2016. "Tribal Dynamics, Child Gods, and the Faraway Goddess: Mingling in the Egyptian Delta in the Third Intermediate Period." In Assyria to Iberia: Art and Culture in the Iron Age, edited by Joan Aruz and Michael Seymour. New York: Metropolitan Museum of Art, pp. 161 and 163, fig. 8.

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