The propaganda print shown here was created at the height of the Russo-Japanese War, fought between the two expansionist imperial powers in 1904–5. Kobayashi Kiyochika, a major designer of woodblock prints, documented Japan’s rapid military and economic modernization and numerous wars of the late nineteenth and early twentieth centuries. Inexpensive woodblock prints served as a vehicle for propaganda throughout this period.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
小林清親画 「日本万歳・百選百笑」より
Title:Print from the series Long Live Japan: One Hundred Victories, One Hundred Laughs
Artist:Kobayashi Kiyochika (Japanese, 1847–1915)
Period:Meiji period (1868–1912)
Date:1904–5
Culture:Japan
Medium:Woodblock print (nishiki-e); ink and color on paper
Dimensions:Oban 14 1/4 x 9 7/8 in. (36.2 x 25.1 cm)
Classification:Prints
Credit Line:Gift of Lincoln Kirstein, 1959
Accession Number:JP3209
Signature: Kiyochika
Lincoln Kirstein American, New York (until 1959; donated to MMA).
New York. The Metropolitan Museum of Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," May 20–September 7, 1986.
Santa Fe. New Mexico Museum of Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," June 28–August 3, 1987.
Portland Art Museum. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," August 28–October 4, 1987.
Billings. Yellowstone Art Museum. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," October 31, 1987–January 3, 1988.
Santa Fe Community College Art Gallery. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," February 13–March 20, 1988.
Albany Institute of History & Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," April 16–July 17, 1988.
Minneapolis Institute of Arts. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," August 6–November 6, 1988.
Charleston. Museum at Sunrise. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," November 26, 1988–January 1, 1989.
Pullman. Washington State University. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," January 21–February 26, 1989.
Champaign. Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," March 11–April 23, 1989.
Saint Louis Art Museum. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," March 13–June 18, 1989.
Syracuse. Everson Museum of Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," July 8–August 13, 1989.
Storrs. William Benton Museum of Art, University of Connecticut. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," September 2–October 15, 1989.
The Metropolitan Museum of Art. "Anxiety and Hope in Japanese Art," April 8, 2023–July 14, 2024.
Meech-Pekarik, Julia. The World of the Meiji Print: Impressions of a New Civilization. New York: Weatherhill, 1986, p. 213, fig. 131.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.
