Diadem with a Pair of Gazelle Heads

New Kingdom
ca. 1479–1425 B.C.
On view at The Met Fifth Avenue in Gallery 118
During her lifetime, a queen wore this delicate diadem tied over her wig. The headband not only identified her elite rank but also identified her as a woman participating in a cultic performance. Tomb depictions illustrate high-ranking women wearing similar ornaments when they took part in rituals that likely honored important goddesses like Hathor, Mut, or Sakhmet. The reason for depicting gazelles is not clear, although they are associated with the sun god, fertility, and rebirth—all subjects connected to these great goddesses. Gazelles inhabit the low desert along the edge of the Nile’s floodplain, often traveling in pairs. This habitat probably explains why these animals figure prominently in a significant myth about the goddesses that takes place in that setting.

Artwork Details

Object Information
  • Title: Diadem with a Pair of Gazelle Heads
  • Period: New Kingdom
  • Dynasty: Dynasty 18, early
  • Reign: reign of Thutmose III
  • Date: ca. 1479–1425 B.C.
  • Geography: From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III
  • Medium: Gold, carnelian, opaque turquoise glass, decayed crizzled glass
  • Dimensions: L. of forehead band 48 cm (18 7/8 in.); W. at bottom of vertical strip 3 cm (1 1/8 in.)
  • Credit Line: Purchase, George F. Baker and Mr. and Mrs. V. Everit Macy Gifts, 1920
  • Object Number: 26.8.99
  • Curatorial Department: Egyptian Art

Audio

Cover Image for 3410. Diadem with two gazelle heads

3410. Diadem with two gazelle heads

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NARRATOR: Imagine this lovely diadem worn on a woman’s head. The middle band would have been tied with ribbons to the other horizontal pieces, around the wearer’s head. Diana Craig Patch, Associate Curator in the Egyptian Department.

DIANA CRAIG PATCH: This particular diadem, based on representations from wall paintings, would have been worn by women who had an affiliation with the king; and who seemed to have served in the cult of the goddess Hathor. And she's the goddess who is sort of the sponsor of music and joy and young women.

NARRATOR: Look closely at the front – you’ll see tiny animal heads.

DIANA CRAIG PATCH: Those are very interesting. The animals in the front are gazelles; an antelope that lives in the low desert of Egypt and very well known in the Near East. But in Egypt, they were never used on any kind of head ornament. That is something that apparently comes from the Near East. And this is a very interesting piece because it shows a number of elements that are Near Eastern, as well as a number of elements that are Egyptian, and signifies a time period in Egypt where they are integrating with the Near East in a much greater way, culturally and in styles.

NARRATOR: The gazelle heads are rendered with incredible sensitivity and naturalism.

DIANA CRAIG PATCH: Well, the Egyptians were superb gold workers, and they were very talented at taking animal forms and conveying important characteristics of each animal type. And in this, you get the delicacy of the small gazelle.

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